"Ephemera" highlights a diverse selection of artwork that explores the duality of transience and permanence through a rich variety of techniques and themes. The exhibition features School of Art students Matthew Constant, Ariana Daly, October Donoghue, Andrew Edwards, and Summer Leavitt.
Dread Scott works in a range of media including performance, photography, screen-printing, and video, challenging viewers to reexamine unifying ideals and values of American society, often by focusing on African American experience.
To coincide with her current solo exhibition at the Museum of the Moving Image and the online release of "The Game: The Game," Professor Angela Washko will discuss the multi-year research process behind her pick-up artist dating simulator.
{Shan, Shui}* is an automated process of producing a never-ending scroll of Chinese landscape painting.
The Frame Gallery presents a solo exhibition by undergraduate senior Deborah Lee, opening March 2, 6-8pm.
As a Korean-American straddling two consumerist cultures, MFA Candidate Yejin Lee’s work offers an alternative to the excessive stimulations in our daily life by advertisements, social media, and news in a mass-consumer culture.
Since the early 1990s, Andrea Zittel has used the arena of her day-to-day life to develop and test prototypes for living structures and situations to illuminate how we attribute significance to chosen structures or ways of life and how arbitrary any choice of structure can be.
A futurist, journalist, science-fiction author and design critic, Bruce Sterling is best known for his novels and his seminal work on the Mirrorshades anthology, which defined the cyberpunk genre.
Created within the current political tumult, new works by the 2018 CMU School of Art MFA candidates examine pop culture fantasies of entertainment, capital, and collapse.
In Loving Memory, a solo exhibition by School of Art senior, is a memorial for loved ones lost and a celebration of lives and memories shared. It is a sister show to Messy, a 2017 exhibition about grief, loss, and mourning through making. Come and reflect.
Heather Dewey-Hagborg will give a joint talk with Chelsea Manning, the collaborator for her most recent work, Probably Chelsea (2017).
This two-day symposium, which includes a film screening, photo exhibition, and gathering of activists, artists and scholars, presents a transatlantic dialogue between the US and France.
"Familiar Terrain" is a multimedia show by School of Art sophomore Ema Furusho that explores surfaces of the human body as well as the materials we use to embellish it.
Emotional (Re)location, a solo exhibition by MFA Candidate Talya Petrillo, uses sentimentality and satire to question the mental space of loss, acceptance and moments of insanity.
Join Carnegie Museum of Art and its partners—Carnegie Library of Pittsburgh, Carnegie Mellon University, and University of Pittsburgh—for a communal updating of Wikipedia entries on subjects related to art and feminism.
Francis Stark’s deeply autobiographical practice centers on the mediation of self and the intimate spaces of communication. Her work spans many media including drawing, photography, video, collage, and mixed media painting, often combining text and imagery.
Thinking In Place, an installation by Clelia Knox BHA '20, borrows its name from a similarly titled book by Carol Becker, which has, in the past year, provided me with some gentle guidance on what it means to bring the often heated, intimate fragments of my memories outside of my self.
Jenny Odell's work combines the mining of online imagery with writing and research, usually in an attempt to highlight the material nature of our modern networked existence.
"Each/Other" is an exhibition about advocacy and inclusion curated by Shori Sims BFA '21 and Aisha Dev BDes '19.
"A Perfect Home" addresses the entanglement of the domestic with femininity, queer identity, nostalgia, and subversive love.