The imagery depicted in the artwork was created through memories, photo and video documentation, objects collected from the ruins, and abstract representations of experiences we shared at the Rainbow Lounge, in addition to the fire that destroyed it.
Allison Smith takes an expansive view of sculpture, combining social practice, performance, and traditional crafts to examine how American history has been constructed and how it may be revised, retold, and reinterpreted.
Cristóbal Martínez's work seeks to reveal the vexing nature of our complex memories, amnesias, behaviors, beliefs, assumptions, choices, and relationships to create experiences that move beyond the human instinct to simplify.
"The Sun Lies Heavy" is an exhibition by MFA Candidate of new scenes from an ongoing project presenting an alternative history of coal mingled with myths of forgotten forests, crawling proto-reptiles, and chthonic infernos as real-time virtual puppet theater.
This exhibition presents a singular representation of the boundaries of the human mind and body with regards to being present, aware, and mindful through the use and unspoken restrictions of materiality and other formal components of the installation works.
"Ephemera" highlights a diverse selection of artwork that explores the duality of transience and permanence through a rich variety of techniques and themes. The exhibition features School of Art students Matthew Constant, Ariana Daly, October Donoghue, Andrew Edwards, and Summer Leavitt.
Dread Scott works in a range of media including performance, photography, screen-printing, and video, challenging viewers to reexamine unifying ideals and values of American society, often by focusing on African American experience.
To coincide with her current solo exhibition at the Museum of the Moving Image and the online release of "The Game: The Game," Professor Angela Washko will discuss the multi-year research process behind her pick-up artist dating simulator.
{Shan, Shui}* is an automated process of producing a never-ending scroll of Chinese landscape painting.
The Frame Gallery presents a solo exhibition by undergraduate senior Deborah Lee, opening March 2, 6-8pm.
As a Korean-American straddling two consumerist cultures, MFA Candidate Yejin Lee’s work offers an alternative to the excessive stimulations in our daily life by advertisements, social media, and news in a mass-consumer culture.