Emotional (Re)location, a solo exhibition by MFA Candidate Talya Petrillo, uses sentimentality and satire to question the mental space of loss, acceptance and moments of insanity.
Join Carnegie Museum of Art and its partners—Carnegie Library of Pittsburgh, Carnegie Mellon University, and University of Pittsburgh—for a communal updating of Wikipedia entries on subjects related to art and feminism.
Francis Stark’s deeply autobiographical practice centers on the mediation of self and the intimate spaces of communication. Her work spans many media including drawing, photography, video, collage, and mixed media painting, often combining text and imagery.
Thinking In Place, an installation by Clelia Knox BHA '20, borrows its name from a similarly titled book by Carol Becker, which has, in the past year, provided me with some gentle guidance on what it means to bring the often heated, intimate fragments of my memories outside of my self.
Jenny Odell's work combines the mining of online imagery with writing and research, usually in an attempt to highlight the material nature of our modern networked existence.
"Each/Other" is an exhibition about advocacy and inclusion curated by Shori Sims BFA '21 and Aisha Dev BDes '19.
"A Perfect Home" addresses the entanglement of the domestic with femininity, queer identity, nostalgia, and subversive love.
Robb Hernández's forthcoming book, "Finding AIDS: Archival Body/Archival Space and the Chicano Avant-garde," examines the role of gender and sexual transgression in the formation of Chicano art.
"Everyone is Welcome - An Inclusive Sustainability Showcase" is an exhibition and performance showcase founded by CMU's Sustainability Weekend to provide a platform for creative and critical expression within the realm of sustainability.
"It's A Long Story I'll Save For Later," a solo exhibition by MFA Candidate Paper Buck, traverses the former homesites of his (post-) Irish Catholic family across backwoods Pennsylvania and Southwestern Ireland.