Dread Scott works in a range of media including performance, photography, screen-printing, and video, challenging viewers to reexamine unifying ideals and values of American society, often by focusing on African American experience.
To coincide with her current solo exhibition at the Museum of the Moving Image and the online release of "The Game: The Game," Professor Angela Washko will discuss the multi-year research process behind her pick-up artist dating simulator.
{Shan, Shui}* is an automated process of producing a never-ending scroll of Chinese landscape painting.
The Frame Gallery presents a solo exhibition by undergraduate senior Deborah Lee, opening March 2, 6-8pm.
As a Korean-American straddling two consumerist cultures, MFA Candidate Yejin Lee’s work offers an alternative to the excessive stimulations in our daily life by advertisements, social media, and news in a mass-consumer culture.
Since the early 1990s, Andrea Zittel has used the arena of her day-to-day life to develop and test prototypes for living structures and situations to illuminate how we attribute significance to chosen structures or ways of life and how arbitrary any choice of structure can be.
A futurist, journalist, science-fiction author and design critic, Bruce Sterling is best known for his novels and his seminal work on the Mirrorshades anthology, which defined the cyberpunk genre.
Created within the current political tumult, new works by the 2018 CMU School of Art MFA candidates examine pop culture fantasies of entertainment, capital, and collapse.
In Loving Memory, a solo exhibition by School of Art senior, is a memorial for loved ones lost and a celebration of lives and memories shared. It is a sister show to Messy, a 2017 exhibition about grief, loss, and mourning through making. Come and reflect.
Heather Dewey-Hagborg will give a joint talk with Chelsea Manning, the collaborator for her most recent work, Probably Chelsea (2017).