Dread Scott works in a range of media including performance, photography, screen-printing, and video, challenging viewers to reexamine unifying ideals and values of American society, often by focusing on African American experience.
To coincide with her current solo exhibition at the Museum of the Moving Image and the online release of "The Game: The Game," Professor Angela Washko will discuss the multi-year research process behind her pick-up artist dating simulator.
{Shan, Shui}* is an automated process of producing a never-ending scroll of Chinese landscape painting.
The Frame Gallery presents a solo exhibition by undergraduate senior Deborah Lee, opening March 2, 6-8pm.
As a Korean-American straddling two consumerist cultures, MFA Candidate Yejin Lee’s work offers an alternative to the excessive stimulations in our daily life by advertisements, social media, and news in a mass-consumer culture.
Since the early 1990s, Andrea Zittel has used the arena of her day-to-day life to develop and test prototypes for living structures and situations to illuminate how we attribute significance to chosen structures or ways of life and how arbitrary any choice of structure can be.
Heather Dewey-Hagborg will give a joint talk with Chelsea Manning, the collaborator for her most recent work, Probably Chelsea (2017).
"Familiar Terrain" is a multimedia show by School of Art sophomore Ema Furusho that explores surfaces of the human body as well as the materials we use to embellish it.
Francis Stark’s deeply autobiographical practice centers on the mediation of self and the intimate spaces of communication. Her work spans many media including drawing, photography, video, collage, and mixed media painting, often combining text and imagery.
Thinking In Place, an installation by Clelia Knox BHA '20, borrows its name from a similarly titled book by Carol Becker, which has, in the past year, provided me with some gentle guidance on what it means to bring the often heated, intimate fragments of my memories outside of my self.