Shohei Katayama: 怪光 – “KAIKOU”
Powder Room 201 N Braddock Ave, #209, Pittsburgh, United StatesMFA Candidate Shohei Katayama presents an immersive light installation around the ideas of impermanence and contamination.
MFA Candidate Shohei Katayama presents an immersive light installation around the ideas of impermanence and contamination.
“Fearful Symmetries” the first retrospective of the influential feminist artist who played a key role in the formation of the Feminist Art Program at Cal State in Fresno in 1970 and at CalArts in Valencia in 1971.
The imagery depicted in the artwork was created through memories, photo and video documentation, objects collected from the ruins, and abstract representations of experiences we shared at the Rainbow Lounge, in addition to the fire that destroyed it.
In 2017, Erin Mallea spent three months at Old Economy Village (OEV) a regional museum and historic site to learn more about the living history of historic maintenance.
Gene Kogan is an artist and a programmer who is interested in generative systems, artificial intelligence, and software for creativity and self-expression.
Allison Smith takes an expansive view of sculpture, combining social practice, performance, and traditional crafts to examine how American history has been constructed and how it may be revised, retold, and reinterpreted.
Cristóbal Martínez's work seeks to reveal the vexing nature of our complex memories, amnesias, behaviors, beliefs, assumptions, choices, and relationships to create experiences that move beyond the human instinct to simplify.
On the occasion of her first retrospective exhibition, join artist Faith Wilding for a talk at the Miller Gallery at 5:00pm followed by a reception from 6:00 to 8:00pm.
"The Sun Lies Heavy" is an exhibition by MFA Candidate of new scenes from an ongoing project presenting an alternative history of coal mingled with myths of forgotten forests, crawling proto-reptiles, and chthonic infernos as real-time virtual puppet theater.
This exhibition presents a singular representation of the boundaries of the human mind and body with regards to being present, aware, and mindful through the use and unspoken restrictions of materiality and other formal components of the installation works.