Since the early 1990s, Andrea Zittel has used the arena of her day-to-day life to develop and test prototypes for living structures and situations to illuminate how we attribute significance to chosen structures or ways of life and how arbitrary any choice of structure can be.
Heather Dewey-Hagborg will give a joint talk with Chelsea Manning, the collaborator for her most recent work, Probably Chelsea (2017).
"Familiar Terrain" is a multimedia show by School of Art sophomore Ema Furusho that explores surfaces of the human body as well as the materials we use to embellish it.
Francis Stark’s deeply autobiographical practice centers on the mediation of self and the intimate spaces of communication. Her work spans many media including drawing, photography, video, collage, and mixed media painting, often combining text and imagery.
Thinking In Place, an installation by Clelia Knox BHA '20, borrows its name from a similarly titled book by Carol Becker, which has, in the past year, provided me with some gentle guidance on what it means to bring the often heated, intimate fragments of my memories outside of my self.
"Each/Other" is an exhibition about advocacy and inclusion curated by Shori Sims BFA '21 and Aisha Dev BDes '19.
"A Perfect Home" addresses the entanglement of the domestic with femininity, queer identity, nostalgia, and subversive love.
Robb Hernández's forthcoming book, "Finding AIDS: Archival Body/Archival Space and the Chicano Avant-garde," examines the role of gender and sexual transgression in the formation of Chicano art.
"Everyone is Welcome - An Inclusive Sustainability Showcase" is an exhibition and performance showcase founded by CMU's Sustainability Weekend to provide a platform for creative and critical expression within the realm of sustainability.
"It's A Long Story I'll Save For Later," a solo exhibition by MFA Candidate Paper Buck, traverses the former homesites of his (post-) Irish Catholic family across backwoods Pennsylvania and Southwestern Ireland.