Jessi Reaves’ practice collapses the barriers between furniture and sculpture through the creation functional pieces that inject animism and desire into the coldness of modernism.
Iglesias’ sculptures and installations investigate how objects mediate social relationships and how objects can be read as having a form of agency.
Working across video, installation, and social events, Jeremy Deller's work often looks to history as a means to initiate dialogue with the public.
Hamilton and Zachery will highlight the research involved in the making of Dapline! while examining Black gestural practices as a mode of resistance.
Stephanie Dinkins creates platforms for dialog about artificial intelligence as it intersects race, gender, and our future histories.
Entangling abstraction with representational form, Ulrike Müller's work creates a new discourse around gender identity and politics that resists binaries.
Thaddeus Mosley's towering, hand-carved, wood sculptures often seem to defy gravity with sensual, cantilevered shapes.
Both Lenka Clayton and Jon Rubin are known for their extensive work in social practice and public engagement.
Igor Vamos is a founding member of The Yes Men, a comic duo pull off jaw-dropping pranks that target the world’s biggest corporate criminals.
Craig Baldwin “surfs the wave of obsolescence” using spoken word, graphics and motion picture clips to advocate for the re-working of marginalized film.