Thinking In Place, an installation by Clelia Knox BHA '20, borrows its name from a similarly titled book by Carol Becker, which has, in the past year, provided me with some gentle guidance on what it means to bring the often heated, intimate fragments of my memories outside of my self.
Jenny Odell's work combines the mining of online imagery with writing and research, usually in an attempt to highlight the material nature of our modern networked existence.
"Each/Other" is an exhibition about advocacy and inclusion curated by Shori Sims BFA '21 and Aisha Dev BDes '19.
"A Perfect Home" addresses the entanglement of the domestic with femininity, queer identity, nostalgia, and subversive love.
Robb Hernández's forthcoming book, "Finding AIDS: Archival Body/Archival Space and the Chicano Avant-garde," examines the role of gender and sexual transgression in the formation of Chicano art.
"Everyone is Welcome - An Inclusive Sustainability Showcase" is an exhibition and performance showcase founded by CMU's Sustainability Weekend to provide a platform for creative and critical expression within the realm of sustainability.
"It's A Long Story I'll Save For Later," a solo exhibition by MFA Candidate Paper Buck, traverses the former homesites of his (post-) Irish Catholic family across backwoods Pennsylvania and Southwestern Ireland.
"Light in the Attic" is a body of sculptural work by Samuel Hamish Horgan BFA '21 that explores the landscape and history of the Allegheny Valley by reimagining the artifacts of its industrial past as the raw materials of a new kind of regional experience.
Kelli Anderson is an artist/designer and tinkerer who draws, photographs, cuts, prints, codes, and creates a variety of designed things for herself and others.
Hirsch Perlman’s lecture will draw from his latest work, and his developing thought about art and embodiment, and why we cannot help but make meaning, metaphors, and narrative out of anything and everything from simple wood blocks to piles of garbage.