Stephanie Dinkins creates platforms for dialog about artificial intelligence as it intersects race, gender, and our future histories.
Entangling abstraction with representational form, Ulrike Müller's work creates a new discourse around gender identity and politics that resists binaries.
"Nathalie Moreno’s Latin Lovers" presents three whimsical Latino men who are vying to win your love.
Thaddeus Mosley's towering, hand-carved, wood sculptures often seem to defy gravity with sensual, cantilevered shapes.
"Xoromancy" allows the exploration of a near-infinite space of pseudo-real images generated by a neural network trained on millions of photographs.
Both Lenka Clayton and Jon Rubin are known for their extensive work in social practice and public engagement.
First- and second-year art students take over the third floor of the College of Fine Arts to show their work and get feedback from fellow students.
Igor Vamos is a founding member of The Yes Men, a comic duo pull off jaw-dropping pranks that target the world’s biggest corporate criminals.
Craig Baldwin “surfs the wave of obsolescence” using spoken word, graphics and motion picture clips to advocate for the re-working of marginalized film.
In this installation, David Noel uses tacit knowledge to bring military tactics to the public, creating a neutral site for contemplation where material and form indicate the potential for change.