Lee Webster: CHROMINANCE
Powder Room 201 N Braddock Ave, #209, Pittsburgh, United StatesIn CHROMINANCE, Webster imagines her mother’s brief time in the spotlight, rendering a black and white memory in full, chromatic brilliance.
In CHROMINANCE, Webster imagines her mother’s brief time in the spotlight, rendering a black and white memory in full, chromatic brilliance.
Under the given umbrella of EcoArt, students in Prof. Bob Bingham's EcoArt class have been hard at work.
WHAT? Video games at the library? Stop studying for finals and join us for the Experimental Game Design class showcase: mysterious operating systems, face biting simulators, Star Trek decks, dungeon crawlers for Millennials... and much, much more!
The School of Art at Carnegie Mellon University is hosting OPEN STUDIOS on December 8th from 5-9pm featuring work of Juniors and Seniors.
Come and join the School of Art Class of 2021+, as we celebrate the most personal of all foundation courses - Concept Studio I: The Self and The Human Being.
MFA Candidate Shohei Katayama presents an immersive light installation around the ideas of impermanence and contamination.
“Fearful Symmetries” the first retrospective of the influential feminist artist who played a key role in the formation of the Feminist Art Program at Cal State in Fresno in 1970 and at CalArts in Valencia in 1971.
The imagery depicted in the artwork was created through memories, photo and video documentation, objects collected from the ruins, and abstract representations of experiences we shared at the Rainbow Lounge, in addition to the fire that destroyed it.
In 2017, Erin Mallea spent three months at Old Economy Village (OEV) a regional museum and historic site to learn more about the living history of historic maintenance.
Gene Kogan is an artist and a programmer who is interested in generative systems, artificial intelligence, and software for creativity and self-expression.