Angela Dufresne’s work articulates porous ways of being in a world fraught by fear and possession.

Sarah Oppenheimer is an artist operating on the boundary conditions of spatial and temporal adjacency.

Allison Smith takes an expansive view of sculpture, combining social practice, performance, and traditional crafts to examine how American history has been constructed and how it may be revised, retold, and reinterpreted.

Cristóbal Martínez's work seeks to reveal the vexing nature of our complex memories, amnesias, behaviors, beliefs, assumptions, choices, and relationships to create experiences that move beyond the human instinct to simplify.

Dread Scott works in a range of media including performance, photography, screen-printing, and video, challenging viewers to reexamine unifying ideals and values of American society, often by focusing on African American experience.

Since the early 1990s, Andrea Zittel has used the arena of her day-to-day life to develop and test prototypes for living structures and situations to illuminate how we attribute significance to chosen structures or ways of life and how arbitrary any choice of structure can be.

Heather Dewey-Hagborg will give a joint talk with Chelsea Manning, the collaborator for her most recent work, Probably Chelsea (2017).