Lecture Series: Malik Gaines
Kresge Theatre 4919 Frew Street, Pittsburgh, PA, United StatesArtist and writer Malik Gaines is an assistant professor of Performance Studies in New York University’s Tisch School of the Arts.
Artist and writer Malik Gaines is an assistant professor of Performance Studies in New York University’s Tisch School of the Arts.
The School of Art’s Kraus Distinguished Visiting Professor of Art, Erin Cosgrove, creates narrative satiric art that is packed with historical and esoteric content and spread across multiple media.
Angela Dufresne’s work articulates porous ways of being in a world fraught by fear and possession.
Sarah Oppenheimer is an artist operating on the boundary conditions of spatial and temporal adjacency.
Gene Kogan is an artist and a programmer who is interested in generative systems, artificial intelligence, and software for creativity and self-expression.
Allison Smith takes an expansive view of sculpture, combining social practice, performance, and traditional crafts to examine how American history has been constructed and how it may be revised, retold, and reinterpreted.
Cristóbal Martínez's work seeks to reveal the vexing nature of our complex memories, amnesias, behaviors, beliefs, assumptions, choices, and relationships to create experiences that move beyond the human instinct to simplify.
Dread Scott works in a range of media including performance, photography, screen-printing, and video, challenging viewers to reexamine unifying ideals and values of American society, often by focusing on African American experience.
To coincide with her current solo exhibition at the Museum of the Moving Image and the online release of "The Game: The Game," Professor Angela Washko will discuss the multi-year research process behind her pick-up artist dating simulator.
Since the early 1990s, Andrea Zittel has used the arena of her day-to-day life to develop and test prototypes for living structures and situations to illuminate how we attribute significance to chosen structures or ways of life and how arbitrary any choice of structure can be.