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Oct 23-Nov 5, 2024
Sobia Ahmad (MFA ’24) will open her solo exhibition “Devotions” in the Kohl Gallery at Washington College on November 8, followed by an Artist Talk and reception on November 15, 4-6pm ET.
Todd Bartel (MFA ’93) is the focus of a 16-page artist feature in issue 38 of Contemporary Collage Magazine, centering on his Landscape Vernacular series.
Magali Duzant’s (BHA ’09) excerpt from A Tree Grows in Queens has been published on The Nature of Cities.
Hank Ehrenfried’s (BFA ’14) exhibition “Index” opens November 9 at Turley Gallery in Hudson, NY.
Frank Harris (BFA ’82) is profiled by Mt. Lebanon Magazine, which will also feature his artwork next month on its December 2024 cover.
Laura Hudspith’s (MFA ’23) solo exhibition “Internal Circumstances” is on view at CIBC Square in Toronto through January 2025.
Alex Lukas’ (MFA ’18) solo exhibition “Wide Scenarios for Indoor & Outdoor” is on view at Interloc in Thomaston, Maine, through December 5.
Samantha Olschan (BFA ’03) is part of “GUI/GOOEY” at Plexus Projects in Brooklyn, curated by Laura Splan, through December 19.
Paula Overbay (MFA ’80) is featured in two group shows at gagallery in Portland and at Bristol Community College in Fall River, MA.
Todd Pavlisko (MFA ’02) is featured in the solo show “I feel better already” at LaMontagne Gallery in Boston, through November 30.
Barbara Rosenthal (BFA ‘70) showed the video WHISPERING CONFESSION at Millennium Film Archive in Brooklyn as part of the MIX NYC show.
Alexandra Rubinstein (BFA ’10) is featured in “Unsettling Beauty” at DIMIN in NYC, through December 7.
C. Ryu (MFA ’23) was part of the team that worked on the final commissioned project of artist Yong Soon Min, which was also the subject of a recent panel at the Contemporary Art Center, UC Irvine.
Renee Stout’s (BFA ’80) installation “A Room to Simply, BE” is part of exhibition “Making Home—Smithsonian Design Triennial” at The Cooper Hewitt Museum, through August 10, 2025.
Dan Wilcox (MFA ’13) performed at the SONIC VISIONS Festival and the ZKM Hertzlab opening and Halloween party in Karlsruhe, Germany.
Ryan Woodring’s (BFA ’10) authored the peer-reviewed essay “Visual Arts Practices for Invisible Illnesses: An Expanded Autoethnography on Rendering and Reingesting Affliction” in the Art for the Sake of Care Issue in the open access International Journal of Education & the Arts.
Image: Laura Hudspith’s “Internal Circumstances” at CIBC Square in Toronto