The School of Art’s Kraus Distinguished Visiting Professor of Art, Erin Cosgrove, creates narrative satiric art that is packed with historical and esoteric content and spread across multiple media.
Composition for the unrealized Governor’s Palace is a multi-channel audio work divided between loudspeakers, headphones, and the movement of the listener.
Upon coming across a home video that presents both his pregnant mother and the artist as a newborn, MFA Candidate Gary Swartzel acts as a drag character of his mother in order to queer his existence prior to birth.
Angela Dufresne’s work articulates porous ways of being in a world fraught by fear and possession.
Dinner pARTy is a community engagement project in the form of a series of dinner events on CMU’s campus.
"We have a future, perhaps." is a collection of seeking origins and creating, documenting, archiving moments of the artist's own queer existence and queer desire to prolong them, find representation, take herself into the future.
Suffering in a medical context as a woman has historically been dismissed and looked over; one recognizable form is in the history of breast cancer.
Sarah Oppenheimer is an artist operating on the boundary conditions of spatial and temporal adjacency.
Upon coming across a home video that presents both his pregnant mother and the artist as a newborn, Gray Swartzel performs a slapstick drag persona of his mother in order to queer his existence prior to birth.
Delving into the human existence and their relationship to the cosmos, this exhibition examines the dialogue between the human inclination to control their lives and role of the omnipotent, omnipresent universe.