"Xoromancy" allows the exploration of a near-infinite space of pseudo-real images generated by a neural network trained on millions of photographs.
First- and second-year art students take over the third floor of the College of Fine Arts to show their work and get feedback from fellow students.
In this installation, David Noel uses tacit knowledge to bring military tactics to the public, creating a neutral site for contemplation where material and form indicate the potential for change.
"Above, Below, After, Until" examines the dynamic relationships between land, labor, and cultural memory through experiential installation, sculpture, and video.
"Just Don't Smile" features eight games and the animation "Wario World War III," all collaboratively made and involving Peter Sheehan BFA '20.
This exhibition explores the social and narrative capabilities of exhibition text and wonders how the reading of a text cooperates with the reading of a sculpture.
Cheese Column, an art installation by Huidi Xiang MFA '21, transforms the Powder Room into an alternative realm between the reality and the fiction.
Engage with bioplastics, teapot-puppy-candle creatures made by a neural network, cereal (painted, not real), fruit (real, for consumption), and more!
"No Boys Allowed" acts as an archive of intimate moments of self actualization and an exploration in experiences with feminine communal care.
In conjunction with the opening of Lau Hochi's exhibition at Powder Room, Professor Bob Bingham will host an open studio in the same building.