"Paradox: The Body in the Age of AI" explores the primacy of the human body as it’s poised on the precipice of a potential fusion with artificial intelligence.
Calling upon the collective memory of our great divas, dikes, faggots and queens, Jamison Edgar's MFA '20 offers up a personal archive that traces, adapts, and builds upon the long history of queer public gathering.
Instead of denying the transience of life, MFA Candidate Yejin Lee asks people to accept death with less rigidity and invite it into our living space.
"Nathalie Moreno’s Latin Lovers" presents three whimsical Latino men who are vying to win your love.
"Xoromancy" allows the exploration of a near-infinite space of pseudo-real images generated by a neural network trained on millions of photographs.
First- and second-year art students take over the third floor of the College of Fine Arts to show their work and get feedback from fellow students.
In this installation, David Noel uses tacit knowledge to bring military tactics to the public, creating a neutral site for contemplation where material and form indicate the potential for change.
"Above, Below, After, Until" examines the dynamic relationships between land, labor, and cultural memory through experiential installation, sculpture, and video.
"Just Don't Smile" features eight games and the animation "Wario World War III," all collaboratively made and involving Peter Sheehan BFA '20.
This exhibition explores the social and narrative capabilities of exhibition text and wonders how the reading of a text cooperates with the reading of a sculpture.