Jessi Reaves’ practice collapses the barriers between furniture and sculpture through the creation functional pieces that inject animism and desire into the coldness of modernism.

Iglesias’ sculptures and installations investigate how objects mediate social relationships and how objects can be read as having a form of agency.

Working across video, installation, and social events, Jeremy Deller's work often looks to history as a means to initiate dialogue with the public.

Entangling abstraction with representational form, Ulrike Müller's work creates a new discourse around gender identity and politics that resists binaries.

Thaddeus Mosley's towering, hand-carved, wood sculptures often seem to defy gravity with sensual, cantilevered shapes.

Both Lenka Clayton and Jon Rubin are known for their extensive work in social practice and public engagement.

Lynch’s sculptures, installations, and multimedia work stems from an interest in the role that history, especially forgotten history, plays in our lives.