"We have a future, perhaps." is a collection of seeking origins and creating, documenting, archiving moments of the artist's own queer existence and queer desire to prolong them, find representation, take herself into the future.
Suffering in a medical context as a woman has historically been dismissed and looked over; one recognizable form is in the history of breast cancer.
Sarah Oppenheimer is an artist operating on the boundary conditions of spatial and temporal adjacency.
Upon coming across a home video that presents both his pregnant mother and the artist as a newborn, Gray Swartzel performs a slapstick drag persona of his mother in order to queer his existence prior to birth.
Delving into the human existence and their relationship to the cosmos, this exhibition examines the dialogue between the human inclination to control their lives and role of the omnipotent, omnipresent universe.
Pass the Butter queers suburban fantasies and tropes into surreal domestic scenes through photographs, installations, and video.
Earthly Delights is an exploration of a utopian world. Through painting and installation, undergraduates Sydney Krantz and Coco Allred have created an ethereal scene that offers its audience a much needed respite.
In CHROMINANCE, Webster imagines her mother’s brief time in the spotlight, rendering a black and white memory in full, chromatic brilliance.
Under the given umbrella of EcoArt, students in Prof. Bob Bingham's EcoArt class have been hard at work.
WHAT? Video games at the library? Stop studying for finals and join us for the Experimental Game Design class showcase: mysterious operating systems, face biting simulators, Star Trek decks, dungeon crawlers for Millennials... and much, much more!