A Scale of 1 to 10
Ellis Gallery School of Art 5000 Forbes Ave, Pittsburgh, PA, United States"A Scale of 1 to 10" by Jenna Houston BHA '18 is a three-channel video installation examining chronic vulvar pain in the context of the self and home.
"A Scale of 1 to 10" by Jenna Houston BHA '18 is a three-channel video installation examining chronic vulvar pain in the context of the self and home.
"The Treachery of Birds" is an exhibition opera by Joshua Brown, featuring artwork by Lane Anderson, Alyss Weissglass, and Bernie Yu, and staring Colleen M. McGovern, Dante Horvat, and Loghan Bazan.
New paintings and sculptures by first year MFA candidate Jamison Edgar celebrate the queer desires embedded within childhood fantasy and curiosity.
The Shot for Shot Student Film Festival is a student film festival celebrating film and video work in the Greater Pittsburgh area.
School of Art students exhibit their best work from the year for the School's annual art awards exhibitions! Students may exhibit work in any medium in the critique space in Doherty Hall and in the College of Fine Arts' third floor hallways, foyers, Ellis Gallery, and forth floor loge.
Mimi Onuoha is an artist and researcher examining the implications of data collection and computational categorization.
Taking its name from a French publisher of school stationery, Claire Fontaine is an artistic partnership between James Thornhill and Fulvia Carnevale, formed in 2004. Their work responds to global events, politics and society through the use and misuse of powerful symbols and status objects.
Kaleidoscope XX, the 20th anniversary of the BXA Intercollege Degree Program student exhibition, will host a reception on April 27, from 4–7pm in the College of Fine Arts room 214.
Ella Hepner BHA '18 and Matthew Constant BFA '18 have spent the past year working painting and drawing in iteration, using consistent physical and thematic constraints in order to produce a body of work that builds personal narrative through artistic habit and evolution.
is an elaboration through sculptural objects on the fullness of 'nothing'. Tsohil Bhatia MFA '20 brings together mundane, quotidian images observed over mediation in a domestic space.