Taking its name from a French publisher of school stationery, Claire Fontaine is an artistic partnership between James Thornhill and Fulvia Carnevale, formed in 2004. Their work responds to global events, politics and society through the use and misuse of powerful symbols and status objects.
Kaleidoscope XX, the 20th anniversary of the BXA Intercollege Degree Program student exhibition, will host a reception on April 27, from 4–7pm in the College of Fine Arts room 214.
Ella Hepner BHA '18 and Matthew Constant BFA '18 have spent the past year working painting and drawing in iteration, using consistent physical and thematic constraints in order to produce a body of work that builds personal narrative through artistic habit and evolution.
is an elaboration through sculptural objects on the fullness of 'nothing'. Tsohil Bhatia MFA '20 brings together mundane, quotidian images observed over mediation in a domestic space.
Inspired by the physicality of sound, experimental musician Lesley Flanigan builds her own instruments using minimal electronics, microphones, and speakers.
SNOOZEFEST features subconscious electronic music by the CMU Exploded Ensemble performed amidst inflatable environments and sculptural forms created by the Inflatables & Soft Sculpture course.
Students from the Art and Machine Learning course present their experimental artworks created in collaboration with machine learning algorithms.
"Paces" is an artistic approach the form of an interactive video game and film installation to internalize the nature of play against society's fixation on results and winning.
"Something Nothing" is a presentation of papers by first year MFA candidates.
"Family Meeting" includes recent work by current advanced Print Media students from Carnegie Mellon University’s School of Art.