"We have a future, perhaps." is a collection of seeking origins and creating, documenting, archiving moments of the artist's own queer existence and queer desire to prolong them, find representation, take herself into the future.
Suffering in a medical context as a woman has historically been dismissed and looked over; one recognizable form is in the history of breast cancer.
Sarah Oppenheimer is an artist operating on the boundary conditions of spatial and temporal adjacency.
Upon coming across a home video that presents both his pregnant mother and the artist as a newborn, Gray Swartzel performs a slapstick drag persona of his mother in order to queer his existence prior to birth.