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X-WR-CALDESC:Events for School of Art | Carnegie Mellon University
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181004T180000
DTEND;TZID=America/New_York:20190203T180000
DTSTAMP:20260612T141055
CREATED:20180928T191723Z
LAST-MODIFIED:20181031T152916Z
UID:4157-1538676000-1549216800@art.cmu.edu
SUMMARY:Paradox: The Body in the Age of AI
DESCRIPTION:“Paradox: The Body in the Age of AI” explores the primacy of the human body as it’s poised on the precipice of a potential fusion with artificial intelligence. Inspired by the Moravec Paradox\, the show looks deeper into the unconscious role the body’s sensorimotor habitat has in shaping our awareness\, imagination\, and socio-political structures. Society tends to privilege reason and logic because it is conscious and quantifiable. But beneath this thin “veneer of human thought” is a deeper\, more complex knowledge system within the body. As technologists imagine the potentials of merging humans with AI\, these artists consider the body’s elusive and underestimated power. Their various investigations across multiple media offer room to speculate about the exchange between the unconscious and conscious\, and ask questions about what the body knows. Before we enter a generation where cyborgs are as ubiquitous as the internet\, in a time when we still inhabit human bodies\, the urgent questions to ask are what lessons can our mortal vessels teach us and what unknown paradox might we contain? \n“Paradox: The Body in the Age of AI” is on view October 5\, 2018 through February 3\, 2019. An opening reception will be held on October 4 from 6:00 to 8:00pm. \nExhibition website
URL:https://art.cmu.edu/event/paradox-the-body-in-the-age-of-ai/
LOCATION:Miller ICA\, Purnell Center for the Arts\, 5000 Forbes Avenue\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/09/paradox_miller_ica.jpg
ORGANIZER;CN="Miller ICA":MAILTO:miller-ica@andrew.cmu.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190202T140000
DTEND;TZID=America/New_York:20190205T170000
DTSTAMP:20260612T141055
CREATED:20190127T200554Z
LAST-MODIFIED:20190127T200554Z
UID:4756-1549116000-1549386000@art.cmu.edu
SUMMARY:Yejin Lee: I To Ground\, I To Sky
DESCRIPTION:Art and Culture treat death as a fearful subject\, separating death from people’s lives. Death has been captured in rigid monuments like graves and other constructions that suggest permanence. Instead of denying the transience of life\, MFA Candidate Yejin Lee asks people to accept death with less rigidity and invite it into our living space. \nIn “I To Ground\, I To Sky” she builds naturalistic and minimalistic playgrounds: non-monumental\, impermanent grave for dead leaves and a pond that ‘reflects’ the sky through a cycle of days\, nights\, and seasons. Influenced by Buddhism and Korean traditional architecture\, Lee seeks Oneness between life and death\, understanding death as a change in condition instead of rigid separation from life. \nThe objectives for this show is for people to liberate themselves from the agony of loss that comes with seeing death as a far-off\, bordered space. She hopes people feel peaceful and even joyful even when confronting loss and death. \nExhibition Opening: Saturday\, Feb 2st\, 2-6pm\nPublic Hours: Sun + Tue\, Feb 3rd + 5th\, 2-6pm
URL:https://art.cmu.edu/event/yejin-lee-i-to-ground-i-to-sky/
LOCATION:Powder Room\, 201 N Braddock Ave\, #209\, Pittsburgh\, 15208\, United States
CATEGORIES:Event MFA,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2019/01/i_to_ground_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190204T163000
DTEND;TZID=America/New_York:20190204T180000
DTSTAMP:20260612T141055
CREATED:20190127T202632Z
LAST-MODIFIED:20190127T202648Z
UID:4761-1549297800-1549303200@art.cmu.edu
SUMMARY:In the Tradition of Black Radical Gestures
DESCRIPTION:Center for Arts in Society Speaker’s Series Presents: LaMont Hamilton and Andre Zachery \nFrom iconic events such as the Black Power salute during the 1968 Olympic Games in Mexico City to the contemporary of kneeling during the National anthem\, Black Radical Gesture as protest has sent cultural and political shockwaves on a national and global scale. But not all Black Radical Gestures hold such social weight. Some more rhizomatic\, intimate while being equally important as a sign of unity. The dap is one such gesture. An acronym for “dignity and pride” it manifested as a close quarter expression of togetherness\, solidarity among African American soldiers during the Vietnam War. The significance was amplified under the immensely socially and racially turbulent environment of 1960’s. Other names for the handshake such as “power shake” or “giving power” hints at the coded gravity of the gesture. \nHamilton and Zachery will highlight the research involved in the making of Dapline! while examining the role of Black gestural practices\, both historically and contemporary\, as a mode of resistance in the face of systemic oppression. Their dance piece Dapline! will be performed at the August Wilson Center February 1\, which explores this history and more through poetic dance. \nLaMont Hamilton (b. 1982) is an interdisciplinary artist based in Chicago who works primarily in photography\, film and performance. Hamilton has been the recipient of several fellowships and awards including the MacDowell Colony\, Smithsonian Artist Research Fellowship\, Artadia Award\, ArtMatters Grant and the City of Chicago’s IAP Award. His residencies include Visiting Artist in Residence at Duke University in conjunction with African and African American Studies and SLIPPAGE: Performance|Culture|Technology and Bemis Center for Contemporary Art. \nAndre Zachery (b.1981) is Brooklyn-based interdisciplinary artist who creates performances\, interactive media installations\, film\, and sound art. He earned a BFA from the Ailey/Fordham program in 2005\, and MFA in Performance & Interactive Media Arts (PIMA) from Brooklyn College in 2014. He is a recipient of the Caroline H. Newhouse Scholarship Fund and Sono Osato Scholarship Award for Graduate Studies through Career Transitions for Dancers\, and PIMA Outstanding Student Award in 2013. Zachary is currently a Jerome Foundation supported 2015 Movement Research Artist-in-Residence.
URL:https://art.cmu.edu/event/in-the-tradition-of-black-radical-gestures/
LOCATION:Gregg Hall (Porter 100)\, 5000 Forbes Avenue\, Pittsbugh\, PA\, 15213\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2019/01/black-radical-gestures_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190204T183000
DTEND;TZID=America/New_York:20190204T200000
DTSTAMP:20260612T141055
CREATED:20190127T203053Z
LAST-MODIFIED:20190127T203053Z
UID:4765-1549305000-1549310400@art.cmu.edu
SUMMARY:STUDIO Lecture: Stephanie Dinkins
DESCRIPTION:Stephanie Dinkins is a transdisciplinary artist who creates platforms for dialog about artificial intelligence as it intersects race\, gender\, and our future histories. Her art employs lens-based practices\, the manipulation of space\, and technology to grapple with notions of consciousness\, agency\, perception\, and social equity. Dinkins is a 2018/19 Soros Equality Fellow\, 2018/19 Data and Society Research Institute Fellow\, 2018 Sundance New Frontiers Story Lab Fellow and 2018/2019 Artist in Residence at Nokia Bell Labs. She teaches time-based practices and emerging media at Stony Brook University. \nCo-Presented with the Miller Institute for Contemporary Art.
URL:https://art.cmu.edu/event/studio-lecture-stephanie-dinkins/
LOCATION:Frank-Ratchye STUDIO for Creative Inquiry\, CFA 111\, 5000 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Lectures,Non-SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2019/01/stephanie_dinkins_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190205T183000
DTEND;TZID=America/New_York:20190205T200000
DTSTAMP:20260612T141055
CREATED:20181129T161427Z
LAST-MODIFIED:20190205T151229Z
UID:4565-1549391400-1549396800@art.cmu.edu
SUMMARY:Lecture Series: Ulrike Müller
DESCRIPTION:Entangling abstraction with representational form\, Ulrike Müller’s work investigates and updates visual strategies of modernism and feminist practices of the 1960s and 70s to create a new discourse around contemporary gender identity and politics that resists binaries. She represented Austria in the 2010 Cairo Biennial\, was part of the 2017 Whitney Biennial\, and has shown at the New Museum. \nOrganized in collaboration with Carnegie Museum of Art and Carnegie International\, 57th Edition\, 2018. \nAll lectures are free and open to the public. Free parking is available in the East Campus Garage after 5:00pm or on Frew\, Margaret Morrison\, and Tech Streets after 6:00pm. \nImage courtesy Carnegie Museum of Art\, Pittsburgh. Photo: Bryan Conley.
URL:https://art.cmu.edu/event/lecture-series-ulrike-muller/
LOCATION:Kresge Theatre\, 4919 Frew Street\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Event Featured,Lectures
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/11/ulrike_muller_lecture.jpg
ORGANIZER;CN="School of Art":MAILTO:SchoolofArt@cmu.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190215T190000
DTEND;TZID=America/New_York:20190222T170000
DTSTAMP:20260612T141055
CREATED:20190208T182152Z
LAST-MODIFIED:20190208T182152Z
UID:4822-1550257200-1550854800@art.cmu.edu
SUMMARY:Nathalie Moreno's Latin Lovers
DESCRIPTION:“Nathalie Moreno’s Latin Lovers\,” a new work by Nathalie Moreno MFA ’21\, presents three whimsical Latino men who are vying to win your love. The characters\, all played by the artist\, pull from the ridiculousness of real life to play with the absurdity of caricature. Join the Latin Lovers on February 15th for a caramel coated celebration of love and play. \nOpening: February 15\, 7-10pm\nBy appointment: February 16-22
URL:https://art.cmu.edu/event/nathalie-morenos-latin-lovers/
LOCATION:Powder Room\, 201 N Braddock Ave\, #209\, Pittsburgh\, 15208\, United States
CATEGORIES:Event MFA,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2019/02/nathalie_moreno_powder_room.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190219T183000
DTEND;TZID=America/New_York:20190219T200000
DTSTAMP:20260612T141055
CREATED:20181129T161710Z
LAST-MODIFIED:20181129T162053Z
UID:4569-1550601000-1550606400@art.cmu.edu
SUMMARY:Thaddeus Mosley with Naomi Chambers
DESCRIPTION:Thaddeus Mosley’s towering\, hand-carved\, wood sculptures often seem to defy gravity with sensual\, cantilevered shapes. A fixture of Pittsburgh’s artistic and cultural life for more than 50 years\, he has had solo exhibitions at the Carnegie Museum of Art and the Mattress Factory. His public works can be found around the city including at the Pittsburgh International Airport and outside the Martin Luther King Jr. Library in the Hill District. Mosley will be in conversation with Pittsburgh artist Naomi Chambers\, who is the co-creator of FlowerHouse\, a community art studio and creative space in Wilkinsburg. \nOrville M. Winsand Lecture for Critical Studies in Art. Organized in collaboration with Carnegie Museum of Art and Carnegie International\, 57th Edition\, 2018. \nAll lectures are free and open to the public. Free parking is available in the East Campus Garage after 5:00pm or on Frew\, Margaret Morrison\, and Tech Streets after 6:00pm. \nImage courtesy Carnegie Museum of Art\, Pittsburgh. Photo: Bryan Conley.
URL:https://art.cmu.edu/event/thaddeus-mosley-with-naomi-chambers/
LOCATION:McConomy Auditorium\, 5000 Forbes Avenue\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Event Featured,Lectures
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/11/thaddeus_mosley_lecture.jpg
ORGANIZER;CN="School of Art":MAILTO:SchoolofArt@cmu.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190222T180000
DTEND;TZID=America/New_York:20190224T170000
DTSTAMP:20260612T141055
CREATED:20190218T154820Z
LAST-MODIFIED:20190218T190153Z
UID:4843-1550858400-1551027600@art.cmu.edu
SUMMARY:Aman Tiwari & Gray Crawford: Xoromancy
DESCRIPTION:“Xoromancy” allows the exploration of a near-infinite space of pseudo-real images generated by a neural network trained on millions of photographs. Participants move their hands to shift the influence and mixture of texture\, color\, and subject\, training themselves in the ways of xoromancy. \n“Xoromancy” is a collaboration between Aman Tiwari and Gray Crawford. \nAman Tiwari BFA ’19 is an artist working with the computer\, or a computer user working with art. Gray Crawford MA ’17 / MDes /19 is a spatial interface designer researching embodiment amidst computed environments. \nOpening Reception: Friday\, February 22\, 6-9pm
URL:https://art.cmu.edu/event/aman-tiwari-gray-crawford-xoromancy/
LOCATION:The FRAME Gallery\, 5200 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Exhibitions,SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2019/02/xoromancy.jpg
ORGANIZER;CN="The FRAME Gallery":MAILTO:theframegallery@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190226T183000
DTEND;TZID=America/New_York:20190226T200000
DTSTAMP:20260612T141055
CREATED:20180822T151036Z
LAST-MODIFIED:20181129T162009Z
UID:3866-1551205800-1551211200@art.cmu.edu
SUMMARY:Lenka Clayton & Jon Rubin
DESCRIPTION:Both Lenka Clayton and Jon Rubin are known for their extensive work in social practice and public engagement. Rubin’s interventions into public life reimagine individual\, group\, and institutional behavior\, while Clayton’s work considers\, exaggerates\, and alters the accepted rules of everyday life. Their previous collaboration “…circle through New York” launched the Guggenheim Museum’s new social practice initiative in 2017. Clayton’s work has been exhibited at MoMA\, Crystal Bridges\, and Kunstmuseum Linz in Austria. Rubin’s work has been exhibited at SFMOMA\, The Museum of Contemporary Art\, Denver\, and in the Shanghai Biennial. \nOrganized in collaboration with Carnegie Museum of Art and Carnegie International\, 57th Edition\, 2018. \nAll lectures are free and open to the public. Free parking is available in the East Campus Garage after 5:00pm or on Frew\, Margaret Morrison\, and Tech Streets after 6:00pm. \nImage courtesy Carnegie Museum of Art\, Pittsburgh. Photo: Bryan Conley.
URL:https://art.cmu.edu/event/lecture-series-lenka-clayton-jon-rubin/
LOCATION:Kresge Theatre\, 4919 Frew Street\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Event Featured,Lectures
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/08/clayton_rubin_lecture.jpg
ORGANIZER;CN="School of Art":MAILTO:SchoolofArt@cmu.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190226T200000
DTEND;TZID=America/New_York:20190303T170000
DTSTAMP:20260612T141055
CREATED:20190222T195744Z
LAST-MODIFIED:20190222T195744Z
UID:4891-1551211200-1551632400@art.cmu.edu
SUMMARY:Underclass Art Show
DESCRIPTION:First- and second-year art students take over the third floor of the College of Fine Arts to show their work and get feedback from fellow students. Join them for an opening reception directly following Lenka Clayton & Jon Rubin’s lecture on February 26. Upperclass students are also invited for a walkthrough critique of the exhibition at 9pm.
URL:https://art.cmu.edu/event/underclass-art-show/
LOCATION:CFA Third Floor\, 5000 Forbes Avenue\, Carnegie Mellon University\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2019/02/underclass_show.jpg
ORGANIZER;CN="School of Art":MAILTO:SchoolofArt@cmu.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190227T170000
DTEND;TZID=America/New_York:20190227T183000
DTSTAMP:20260612T141055
CREATED:20190219T210703Z
LAST-MODIFIED:20190219T210703Z
UID:4863-1551286800-1551292200@art.cmu.edu
SUMMARY:STUDIO Lecture: Igor Vamos
DESCRIPTION:Igor Vamos is an artist whose media spectacles get attention for social and environmental causes. He is a founding member of The Yes Men\, a comic duo who infiltrate the world of big business to pull off jaw-dropping pranks that target the world’s biggest corporate criminals. The antics of The Yes Men have been seen worldwide in three award-winning feature films that prompted author Naomi Klein to call them “the Jonathan Swift of the Jackass Generation.” Igor is also a professor of Art and Technology at Rensselaer Polytechnic Institute\, and he’s gotten a bunch of “important” awards over the years including a Guggenheim Fellowship\, The Alpert Award\, and The Annanberg Award for Art and Social Change.
URL:https://art.cmu.edu/event/studio-lecture-igor-vamos/
LOCATION:Frank-Ratchye STUDIO for Creative Inquiry\, CFA 111\, 5000 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2019/02/igor_vamos_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190228T190000
DTEND;TZID=America/New_York:20190228T210000
DTSTAMP:20260612T141055
CREATED:20190225T152637Z
LAST-MODIFIED:20190228T164717Z
UID:4896-1551380400-1551387600@art.cmu.edu
SUMMARY:Library Speakers Series: Craig Baldwin
DESCRIPTION:With the rise of new technologies in the digital realm\, physical media has become a rare commodity\, particularly with motion picture film.  As institutions move towards a more dominant digital platform to showcase cinematic projects\, works on celluloid are often discarded\, leaving them as “orphans” in the analog world. Orphan works are copyrighted material that no longer have an owner or sponsorship\, thereby falling into the public domain or becoming obsolete. In his Orphan Morphin’ presentation\, filmmaker and curator Craig Baldwin “surfs the wave of obsolescence” using spoken word\, graphics and motion picture clips to advocate for the radical re-working of marginalized film material in the forms of collage\, compilation-doc and speculative fiction.
URL:https://art.cmu.edu/event/library-speakers-series-craig-baldwin/
LOCATION:Hunt Library Studio A\, 4909 Frew Street\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Lectures,Non-SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2019/02/craig_baldwin_web.jpg
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