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X-WR-CALDESC:Events for School of Art | Carnegie Mellon University
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181001T170000
DTEND;TZID=America/New_York:20181001T183000
DTSTAMP:20260520T033904
CREATED:20180912T172835Z
LAST-MODIFIED:20180913T135210Z
UID:4034-1538413200-1538418600@art.cmu.edu
SUMMARY:Artist Lecture: Diego Montoya
DESCRIPTION:Diego Montoya is a Peruvian born\, Brooklyn based visual artist specializing in costume and installation art. He creates hyper visual pieces that are both opulent and bizarre exploring themes of ritual and subcultural. He has staged installation based work at Leslie-Lohman Museum\, Abrons Arts Center\, Same Art Museum\, 29Rooms LA\, and Art Basel Miami. He was the design director for MIXNYC Queer Experimental Film Festival from 2010-2015. His latest work is mostly costume based and includes collaborations with jazz musician Esperanza Spalding and drag performer Sasha Velour.
URL:https://art.cmu.edu/event/artist-lecture-diego-montoya/
LOCATION:Kresge Theatre\, 4919 Frew Street\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/09/diego_montoya_lecture.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181002T183000
DTEND;TZID=America/New_York:20181002T200000
DTSTAMP:20260520T033904
CREATED:20180822T141723Z
LAST-MODIFIED:20180822T171901Z
UID:3852-1538505000-1538510400@art.cmu.edu
SUMMARY:Lecture Series: Saba Innab
DESCRIPTION:Artist and architect Saba Innab questions the meaning of architecture in this time of increasing deterritorialization and alienation. Her work has been exhibited at the Biennale d’Architecture d’Orléans\, the Marrakech Biennale\, and the Museum of Modern Art\, Warsaw. She worked as an architect and urban designer on the reconstruction of a Palestinian refugee camp in Northern Lebanon\, which was nominated for the Aga Khan Award for Architecture in 2013. \nOrganized in collaboration with Carnegie Museum of Art and Carnegie International\, 57th Edition\, 2018. \nAll lectures are free and open to the public. Free parking is available in the East Campus Garage after 5:00pm or on Frew\, Margaret Morrison\, and Tech Streets after 6:00pm. \nImage: Saba Innab\, Then We Realized\, Time is Stone\, from Al Rahhalah\, 2016. Claustra concrete blocks\, 150cm x 250cm. Courtesy of the Artist and Marfa’ Gallery\, Beirut.
URL:https://art.cmu.edu/event/lecture-series-saba-innab/
LOCATION:Kresge Theatre\, 4919 Frew Street\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Event Featured,Lectures
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/08/saba_innab_cmu_lecture.jpg
ORGANIZER;CN="School of Art":MAILTO:SchoolofArt@cmu.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181003T170000
DTEND;TZID=America/New_York:20181003T183000
DTSTAMP:20260520T033904
CREATED:20180913T145829Z
LAST-MODIFIED:20180913T150101Z
UID:4069-1538586000-1538591400@art.cmu.edu
SUMMARY:STUDIO Lecture: Claudia Hart
DESCRIPTION:Claudia Hart emerged as part of a generation of 90s intermedia artists in the “identity art” niche. She still examines identity\, but updated through the scrim of technology. Her art is about issues of the body\, perception\, and nature collapsing into technology and then back again. Hart was an early adopter of virtual imaging\, using 3D animation to make media installations and projections\, then later as they were invented\, other forms of VR\, AR\, and objects using computer-driven production machines\, all based on the same computer models. At the School of the Art Institute of Chicago\, she developed a pedagogic program based on this concept—Experimental 3D—the first art-school curriculum dedicated solely to teaching simulations technologies in an art-world context. She lives between New York and Chicago\, works with Transfer gallery and bitforms galleries\, and is married to the Austrian media artist Kurt Hentschlager. \nThis lecture is co-presented with the Miller Institute for Contemporary Art as part of Paradox: The Body In the Age of AI.
URL:https://art.cmu.edu/event/studio-lecture-claudia-hart/
LOCATION:Frank-Ratchye STUDIO for Creative Inquiry\, CFA 111\, 5000 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/09/claudia_hart_studio_lecture_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181004T180000
DTEND;TZID=America/New_York:20190203T180000
DTSTAMP:20260520T033904
CREATED:20180928T191723Z
LAST-MODIFIED:20181031T152916Z
UID:4157-1538676000-1549216800@art.cmu.edu
SUMMARY:Paradox: The Body in the Age of AI
DESCRIPTION:“Paradox: The Body in the Age of AI” explores the primacy of the human body as it’s poised on the precipice of a potential fusion with artificial intelligence. Inspired by the Moravec Paradox\, the show looks deeper into the unconscious role the body’s sensorimotor habitat has in shaping our awareness\, imagination\, and socio-political structures. Society tends to privilege reason and logic because it is conscious and quantifiable. But beneath this thin “veneer of human thought” is a deeper\, more complex knowledge system within the body. As technologists imagine the potentials of merging humans with AI\, these artists consider the body’s elusive and underestimated power. Their various investigations across multiple media offer room to speculate about the exchange between the unconscious and conscious\, and ask questions about what the body knows. Before we enter a generation where cyborgs are as ubiquitous as the internet\, in a time when we still inhabit human bodies\, the urgent questions to ask are what lessons can our mortal vessels teach us and what unknown paradox might we contain? \n“Paradox: The Body in the Age of AI” is on view October 5\, 2018 through February 3\, 2019. An opening reception will be held on October 4 from 6:00 to 8:00pm. \nExhibition website
URL:https://art.cmu.edu/event/paradox-the-body-in-the-age-of-ai/
LOCATION:Miller ICA\, Purnell Center for the Arts\, 5000 Forbes Avenue\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/09/paradox_miller_ica.jpg
ORGANIZER;CN="Miller ICA":MAILTO:miller-ica@andrew.cmu.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181005T180000
DTEND;TZID=America/New_York:20181007T170000
DTSTAMP:20260520T033904
CREATED:20180925T185441Z
LAST-MODIFIED:20180928T193031Z
UID:4143-1538762400-1538931600@art.cmu.edu
SUMMARY:The Hot Seat
DESCRIPTION:A collaborative effort spanning video media and oil painting\, “The Hot Seat” invites viewers to contemplate the passions and concerns of a nebulous group of strangers; their only commonality being their location (Schenley Park) and their agreement to talk on camera. Investigating the “subject” in multiple ways\, School of Art Seniors Sarah Kim and Grace Simmons represent their participants in the literal sense of video recording\, but also create new portrayals in painting – lasting testaments\, or remnants\, to these potentially fleeting connections and conversations. The original participants are invited to the show’s opening\, to see themselves in this artistic context\, and to interact with one another. This event aims to say: we all have intrinsically valuable things to share with one another\, and we all have a seat at the table. \nOpening Reception: Friday\, October 5\, 6-9pm
URL:https://art.cmu.edu/event/hot-seat/
LOCATION:The FRAME Gallery\, 5200 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Exhibitions,SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/09/the_hot_seat.jpg
ORGANIZER;CN="The FRAME Gallery":MAILTO:theframegallery@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181006T200000
DTEND;TZID=America/New_York:20181013T220000
DTSTAMP:20260520T033904
CREATED:20180928T200103Z
LAST-MODIFIED:20181002T153917Z
UID:4161-1538856000-1539468000@art.cmu.edu
SUMMARY:Erin Mallea: Does it Hold Water
DESCRIPTION:“Does it Hold Water” presents new video and sculptural work by 3rd-year MFA candidate Erin Mallea. Focusing on the artist’s ongoing investigation of historic reenactment\, the exhibition actualizes the idiom “Does it Hold Water?” and considers the artist’s family history to question the limits of replication and enact a different form of remembrance that accounts for spills\, transformation\, incongruity\, and bias. \nOpening: Saturday\, October 6\, 8-10pm\nHours: Sunday\, October 7\, 8-10pm and by appointment
URL:https://art.cmu.edu/event/erin-mallea-does-it-hold-water/
LOCATION:Powder Room\, 201 N Braddock Ave\, #209\, Pittsburgh\, 15208\, United States
CATEGORIES:Event MFA,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/09/erin_mallea_does_it_hold_water_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181008T170000
DTEND;TZID=America/New_York:20181008T183000
DTSTAMP:20260520T033904
CREATED:20180913T144456Z
LAST-MODIFIED:20180918T132611Z
UID:4065-1539018000-1539023400@art.cmu.edu
SUMMARY:STUDIO Lecture: Memo Akten
DESCRIPTION:Memo Akten is an artist working with computation as a medium\, exploring the collisions between nature\, science\, technology\, ethics\, ritual\, tradition and religion. \nCombining critical and conceptual approaches with investigations into form\, movement and sound\, he creates data dramatizations of natural and anthropogenic processes. Alongside his practice\, he is currently working towards a PhD at Goldsmiths University of London in artificial intelligence and expressive human-machine interaction. \nMemo’s work has been shown and performed internationally\, featured in books and academic papers; and in 2013 Memo received the Prix Ars Electronica Golden Nica for his collaboration with Quayola\, “Forms.”
URL:https://art.cmu.edu/event/studio-lecture-memo-akten/
LOCATION:Frank-Ratchye STUDIO for Creative Inquiry\, CFA 111\, 5000 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/09/memo_akten_studio_lecture_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181009T183000
DTEND;TZID=America/New_York:20181009T200000
DTSTAMP:20260520T033904
CREATED:20180822T142514Z
LAST-MODIFIED:20180822T151722Z
UID:3856-1539109800-1539115200@art.cmu.edu
SUMMARY:Zoe Leonard in conversation with Rhea Anastas
DESCRIPTION:Zoe Leonard’s work in photography and sculpture uses repetition\, subtle changes in perspective\, and shifts in scale to reengage viewers with the process of seeing. In her work\, poetic observations of daily life are often tied with a pressing activist impulse. She has had major solo exhibitions of her work at the Whitney\, MoMA\, and the Reina Sofía\, among others. Leonard will be in conversation with Rhea Anastas\, an art historian\, critic\, curator\, and associate professor at UC Irvine. \nOrganized in collaboration with Carnegie Museum of Art and Carnegie International\, 57th Edition\, 2018. \nAll lectures are free and open to the public. \nImage: Zoe Leonard\, How To Take Good Pictures\, 2018. 1\,033 books\, 77.5 x 14.9 x 825.2 cm / 30 1/2 x 5 7/8 x 324 7/8 inches. Installation view\, Whitney Museum of American Art\, New York\, March 2 – June 10\, 2018. Photograph: Bill Jacobson Studio\, New York. © Zoe Leonard. Courtesy the artist and Hauser & Wirth.
URL:https://art.cmu.edu/event/zoe-leonard-with-rhea-anastas/
LOCATION:Carnegie Museum of Art Theater\, 4400 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Event Featured,Lectures
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/08/zoe_leonard_cmu_lecture.jpg
ORGANIZER;CN="School of Art":MAILTO:SchoolofArt@cmu.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181012T180000
DTEND;TZID=America/New_York:20181014T200000
DTSTAMP:20260520T033904
CREATED:20181005T144718Z
LAST-MODIFIED:20181005T144718Z
UID:4188-1539367200-1539547200@art.cmu.edu
SUMMARY:Documents of Passage
DESCRIPTION:Documents of Passage brings together photographic and video work by Tsohil Bhatia and Yejin S. Lee\, both second-year MFA candidates. The artists together respond to the changes in their environment through the passage of a day. \nTsohil’s current practice is informed by the lack of an active studio practice. Their practice stems out of observation of the miniscule changes in their immediate environment. Light\, water\, astronomical sciences and the body remain a recurrent study in their work. \nYejin uses repetition in her work as a methodology to lessen her subjective interpretation and expression\, with a view to removing ego. With her practice based in photography and video\, she focuses on impermanence as an essential truth of nature. \nOpening: Friday\, October 12\, 6-9pm\nOpen Hours: Saturday\, October 13 and Sunday\, October 14\, 6-8pm
URL:https://art.cmu.edu/event/documents-of-passage/
LOCATION:The FRAME Gallery\, 5200 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Event MFA,SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/10/documents_of_passage_web.jpg
ORGANIZER;CN="The FRAME Gallery":MAILTO:theframegallery@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181015T163000
DTEND;TZID=America/New_York:20181015T180000
DTSTAMP:20260520T033904
CREATED:20181005T145731Z
LAST-MODIFIED:20181005T145731Z
UID:4192-1539621000-1539626400@art.cmu.edu
SUMMARY:CAS Lecture: Lize Mogel
DESCRIPTION:Alumna Lize Mogel (BFA ’92) is an interdisciplinary artist and counter-cartographer\, using maps and mappings to bring spatial justice issues to the surface. She has mapped public parks in Los Angeles\, future territorial disputes in the Arctic\, and wastewater economies in New York City. She will discuss recent projects that use participatory mapping and an embodied geography to make the politics of place visible. \nLize Mogel is co-editor of “An Atlas of Radical Cartography\,” a project that significantly influenced the conversation and production around mapping and activism. She has been an artist in residence at Headlands Center for the Arts\, a Community Artist-in-Residence at the Whitney Museum\, and is part of the inaugural Research & Design group for Fresh Kills Park in New York City. She has presented her work in the Sharjah (U.A.E.) and Gwangju (South Korea) Biennials\, “Greater New York” (PS1\, New York City)\, “Experimental Geography\,” and “Diagrams of Power” (OCAD\, Toronto).
URL:https://art.cmu.edu/event/cas-lecture-lize-mogel/
LOCATION:Gregg Hall (Porter 100)\, 5000 Forbes Avenue\, Pittsbugh\, PA\, 15213\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/10/lize_mogel_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181023T183000
DTEND;TZID=America/New_York:20181023T200000
DTSTAMP:20260520T033904
CREATED:20180822T150118Z
LAST-MODIFIED:20180822T172112Z
UID:3863-1540319400-1540324800@art.cmu.edu
SUMMARY:Lecture Series: Alex Da Corte
DESCRIPTION:Alex Da Corte’s theatrical paintings\, sculptures\, videos\, and installations mix personal narratives with glossy commercial aesthetics to creative immersive otherworldly environments that are simultaneously dazzling and terrifying. He has had solo exhibitions at the New Museum\, MASS MoCA\, and the ICA Philadelphia. \nOrganized in collaboration with Carnegie Museum of Art and Carnegie International\, 57th Edition\, 2018. \nAll lectures are free and open to the public. Free parking is available in the East Campus Garage after 5:00pm or on Frew\, Margaret Morrison\, and Tech Streets after 6:00pm. \nImage: Alex Da Corte\, C-A-T SPELLS MURDER\, installation view\, Karma Gallery\, New York\, New York\, 2018. Photograph by Thomas Müller.
URL:https://art.cmu.edu/event/lecture-series-alex-da-corte/
LOCATION:Kresge Theatre\, 4919 Frew Street\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Event Featured,Lectures
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/08/alex_da_corte_cmu_lecture.jpg
ORGANIZER;CN="School of Art":MAILTO:SchoolofArt@cmu.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181024T163000
DTEND;TZID=America/New_York:20181024T183000
DTSTAMP:20260520T033904
CREATED:20181018T144250Z
LAST-MODIFIED:20181018T144250Z
UID:4292-1540398600-1540405800@art.cmu.edu
SUMMARY:CAS Lecture: Amy Lockhart
DESCRIPTION:Amy Lockhart will speak about the ideas behind her animations\, artwork and comics. She will discuss the techniques and production methods she uses including: self-publishing\, animation\, live action with animated special effects\, website\, and installation. She will also discuss her involvement with the DIY comics\, and zine communities. \nAmy Lockhart is a filmmaker\, animator and artist. Her animations have screened internationally\, including the British Film Institute\, The Whitney Museum\, Anthology Film Archives\, Ann Arbor Film Festival\, and Hiroshima International Animation Festival. Lockhart has received fellowships from the National Film Board of Canada and the Canada Council for the Arts and has had residencies at Calgary’s Quickdraw Animation Society\, Struts Gallery\, and The School of the Art Institute of Chicago. Her drawings\, comics and paintings have been published by Drawn & Quarterly (Dirty Dishes\, 2009)\, and by Colour Code (Looking Inward\, 2016).
URL:https://art.cmu.edu/event/cas-lecture-amy-lockhart/
LOCATION:CFA Room 303\, Carnegie Mellon University\, 5000 Forbes Avenue\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/10/amy_lockhart_cas_talk.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181026T180000
DTEND;TZID=America/New_York:20181028T180000
DTSTAMP:20260520T033904
CREATED:20181019T193004Z
LAST-MODIFIED:20181019T193004Z
UID:4338-1540576800-1540749600@art.cmu.edu
SUMMARY:Stephen Michaels: Phonetics
DESCRIPTION:Third-year School of Art student Stephen Michaels works in mixed media\, including costumes and wearables\, drawing\, photography\, video\, writing\, sculpture\, and installation. In his work\, he uses mythology as a vehicle to create symbology within abstraction. Michaels is interested in the way archetypal phenomena are reduced to symbols in mythological narratives and how re-interpretation can permeate them. Pulling from Judeo-Christian\, Greco-Roman\, esoteric and occult stories\, he reinterprets and refigures them into his own visual language. He is interested in the visual culture of tarot cards\, and specifically the dichotomy within their images that they are cryptic and symbolic\, but also legible through the deduction of their contained symbols. Michaels is bringing a Queer reinterpretation to age old ideas that are at once cemented and forgotten. With the use of costume\, he inserts himself into these narratives\, while using his body as a tool to create a dynamic image. He uses writing to articulate these theoretical frameworks within his work and to build a language within poetry that acts parallel to his visual arts practices. \n“Phonetics” opens at The Frame Gallery October 26\, 6:00-9:00pm.
URL:https://art.cmu.edu/event/stephen-michaels-phonetics/
LOCATION:The FRAME Gallery\, 5200 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Exhibitions,SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/10/stephen_michaels_frame_web.jpg
ORGANIZER;CN="The FRAME Gallery":MAILTO:theframegallery@gmail.com
END:VEVENT
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