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X-WR-CALNAME:School of Art | Carnegie Mellon University
X-ORIGINAL-URL:https://art.cmu.edu
X-WR-CALDESC:Events for School of Art | Carnegie Mellon University
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DTSTART:20180311T070000
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DTSTART;TZID=America/New_York:20181005T180000
DTEND;TZID=America/New_York:20181007T170000
DTSTAMP:20260615T234112
CREATED:20180925T185441Z
LAST-MODIFIED:20180928T193031Z
UID:4143-1538762400-1538931600@art.cmu.edu
SUMMARY:The Hot Seat
DESCRIPTION:A collaborative effort spanning video media and oil painting\, “The Hot Seat” invites viewers to contemplate the passions and concerns of a nebulous group of strangers; their only commonality being their location (Schenley Park) and their agreement to talk on camera. Investigating the “subject” in multiple ways\, School of Art Seniors Sarah Kim and Grace Simmons represent their participants in the literal sense of video recording\, but also create new portrayals in painting – lasting testaments\, or remnants\, to these potentially fleeting connections and conversations. The original participants are invited to the show’s opening\, to see themselves in this artistic context\, and to interact with one another. This event aims to say: we all have intrinsically valuable things to share with one another\, and we all have a seat at the table. \nOpening Reception: Friday\, October 5\, 6-9pm
URL:https://art.cmu.edu/event/hot-seat/
LOCATION:The FRAME Gallery\, 5200 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Exhibitions,SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/09/the_hot_seat.jpg
ORGANIZER;CN="The FRAME Gallery":MAILTO:theframegallery@gmail.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181012T180000
DTEND;TZID=America/New_York:20181014T200000
DTSTAMP:20260615T234112
CREATED:20181005T144718Z
LAST-MODIFIED:20181005T144718Z
UID:4188-1539367200-1539547200@art.cmu.edu
SUMMARY:Documents of Passage
DESCRIPTION:Documents of Passage brings together photographic and video work by Tsohil Bhatia and Yejin S. Lee\, both second-year MFA candidates. The artists together respond to the changes in their environment through the passage of a day. \nTsohil’s current practice is informed by the lack of an active studio practice. Their practice stems out of observation of the miniscule changes in their immediate environment. Light\, water\, astronomical sciences and the body remain a recurrent study in their work. \nYejin uses repetition in her work as a methodology to lessen her subjective interpretation and expression\, with a view to removing ego. With her practice based in photography and video\, she focuses on impermanence as an essential truth of nature. \nOpening: Friday\, October 12\, 6-9pm\nOpen Hours: Saturday\, October 13 and Sunday\, October 14\, 6-8pm
URL:https://art.cmu.edu/event/documents-of-passage/
LOCATION:The FRAME Gallery\, 5200 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Event MFA,SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/10/documents_of_passage_web.jpg
ORGANIZER;CN="The FRAME Gallery":MAILTO:theframegallery@gmail.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181026T180000
DTEND;TZID=America/New_York:20181028T180000
DTSTAMP:20260615T234112
CREATED:20181019T193004Z
LAST-MODIFIED:20181019T193004Z
UID:4338-1540576800-1540749600@art.cmu.edu
SUMMARY:Stephen Michaels: Phonetics
DESCRIPTION:Third-year School of Art student Stephen Michaels works in mixed media\, including costumes and wearables\, drawing\, photography\, video\, writing\, sculpture\, and installation. In his work\, he uses mythology as a vehicle to create symbology within abstraction. Michaels is interested in the way archetypal phenomena are reduced to symbols in mythological narratives and how re-interpretation can permeate them. Pulling from Judeo-Christian\, Greco-Roman\, esoteric and occult stories\, he reinterprets and refigures them into his own visual language. He is interested in the visual culture of tarot cards\, and specifically the dichotomy within their images that they are cryptic and symbolic\, but also legible through the deduction of their contained symbols. Michaels is bringing a Queer reinterpretation to age old ideas that are at once cemented and forgotten. With the use of costume\, he inserts himself into these narratives\, while using his body as a tool to create a dynamic image. He uses writing to articulate these theoretical frameworks within his work and to build a language within poetry that acts parallel to his visual arts practices. \n“Phonetics” opens at The Frame Gallery October 26\, 6:00-9:00pm.
URL:https://art.cmu.edu/event/stephen-michaels-phonetics/
LOCATION:The FRAME Gallery\, 5200 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Exhibitions,SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/10/stephen_michaels_frame_web.jpg
ORGANIZER;CN="The FRAME Gallery":MAILTO:theframegallery@gmail.com
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