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SUMMARY:Women in Animation Speaker Series presents: Brooke Keesling
DESCRIPTION:Brooke Keesling is the Head of Animation Talent Development at Bento Box Entertainment. She has worked in the animation and VFX industry for decades as a filmmaker\, in recruiting & development\, and in education. Prior to joining Bento Box\, Brooke recruited animation talent for Cartoon Network\, Disney\, and Warner Bros. \nKeesling earned her MFA at CalArts where she produced the stop-motion film\, Meatclown and the Student Academy Award winning film Boobie Girl. Upon graduation\, she worked in practical and miniature VFX on many films such as Inception\, The Dark Knight\, Hugo\, and The Aviator. Brooke is a member of the Motion Picture Academy\, the Television Academy\, Women in Animation\, and she’s the Vice President of ASIFA Hollywood. Brooke is also on the advisory board of the GLAS Animation Festival\, and she teaches in the Character Animation department at CalArts. \nOrganized by School of Art Professors James Duesing and Johannes DeYoung\, this event is made possible by the generous support of Carnegie Melon University Center for the Arts in Society\, the College of Fine Arts Dean’s Office\, Dietrich College Department of Modern Languages\, the Frank-Ratchye STUDIO for Creative Inquiry\, the Humanities Scholars Program\, IDeATe\, the Career and Professional Development Center\, and Carnegie Mellon School of Art.
URL:https://art.cmu.edu/event/women-in-animation-speaker-series-presents-brooke-keesling/
LOCATION:Frank-Ratchye STUDIO for Creative Inquiry\, CFA 111\, 5000 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Lectures,SOA
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ORGANIZER;CN="School of Art":MAILTO:SchoolofArt@cmu.edu
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DTSTART;TZID=America/New_York:20240416T173000
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SUMMARY:Artist Lecture: Al-An deSouza
DESCRIPTION:Al-An deSouza renders photo-media\, installation\, text and performance works as staging grounds for examining historical memory and its legacies upon the present. Their works draw upon institutional and familial archives\, remaking them through strategies of humor\, fabulation\, and (mis)translation. Recent projects\, Through the Black Country… (2017)\, and La Vida del Capitan (2019)\, transpose\, respectively\, Henry Stanley’s 1870s African expedition journals to England during the 2016 Brexit vote\, and Columbus’ 1492 ship diaries to a 2019 expedition from Khalifia (California) to Al-Andalus (Spain). Both texts are accompanied by expedition maps and photographs. deSouza’s work has been shown extensively in the US and internationally\, including at the Johnson Museum\, Ithaca\, NY; Krannert Museum\, IL; Phillips Collection\, Washington\, DC; Pompidou Centre\, Paris\, and the Mori Museum\, Tokyo. deSouza’s two recent books: How Art Can Be Thought (Duke University Press\, 2018)\, examines art pedagogy and critique\, and how some of the most common terms used to discuss art may be adapted to new artistic and social challenges; Ark of Martyrs (Sming Sming Books\, 2020)\, is a polyphonic\, dysphoric replacement of Joseph Conrad’s infamous Heart of Darkness. deSouza is Professor of Art Practice at University of California\, Berkeley\, and is represented by Talwar Gallery\, NY and New Delhi. \nThis lecture is organized by the School of Art’s DEIJ Committee.
URL:https://art.cmu.edu/event/artist-lecture-al-an-desouza/
LOCATION:Kresge Theatre\, 4919 Frew Street\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Event Featured,Lectures
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