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DTSTART;TZID=America/New_York:20181004T180000
DTEND;TZID=America/New_York:20190203T180000
DTSTAMP:20260712T043238
CREATED:20180928T191723Z
LAST-MODIFIED:20181031T152916Z
UID:4157-1538676000-1549216800@art.cmu.edu
SUMMARY:Paradox: The Body in the Age of AI
DESCRIPTION:“Paradox: The Body in the Age of AI” explores the primacy of the human body as it’s poised on the precipice of a potential fusion with artificial intelligence. Inspired by the Moravec Paradox\, the show looks deeper into the unconscious role the body’s sensorimotor habitat has in shaping our awareness\, imagination\, and socio-political structures. Society tends to privilege reason and logic because it is conscious and quantifiable. But beneath this thin “veneer of human thought” is a deeper\, more complex knowledge system within the body. As technologists imagine the potentials of merging humans with AI\, these artists consider the body’s elusive and underestimated power. Their various investigations across multiple media offer room to speculate about the exchange between the unconscious and conscious\, and ask questions about what the body knows. Before we enter a generation where cyborgs are as ubiquitous as the internet\, in a time when we still inhabit human bodies\, the urgent questions to ask are what lessons can our mortal vessels teach us and what unknown paradox might we contain? \n“Paradox: The Body in the Age of AI” is on view October 5\, 2018 through February 3\, 2019. An opening reception will be held on October 4 from 6:00 to 8:00pm. \nExhibition website
URL:https://art.cmu.edu/event/paradox-the-body-in-the-age-of-ai/
LOCATION:Miller ICA\, Purnell Center for the Arts\, 5000 Forbes Avenue\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/09/paradox_miller_ica.jpg
ORGANIZER;CN="Miller ICA":MAILTO:miller-ica@andrew.cmu.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181102T190000
DTEND;TZID=America/New_York:20181107T190000
DTSTAMP:20260712T043238
CREATED:20181029T203256Z
LAST-MODIFIED:20181029T203256Z
UID:4406-1541185200-1541617200@art.cmu.edu
SUMMARY:Tsohil Bhatia: Keeping Time
DESCRIPTION:‘Without some means of exact time keeping\, industrial capitalism could never have developed and could not continue to exploit the workers\, the clock represents an element of mechanical tyranny in the lives of modern men more potent than any individual exploiter or any other machine.’\n-George Woodcock\, The Tyranny of The Clock (1944) \n“Keeping Time” presents video and installation by Tsohil Bhatia that look at alternate methodologies and devices to imagine\, observe and document time. The work studies the body\, memory and a domestic setting as a time keeper and engages in a confrontation with a clock and standardized time. The exhibition opens two days before the observation of autumnal daylight saving time\, a particularly peculiar phenomena in our measurement of time. \nTsohil Bhatia was born and raised in New Delhi\, India. They’re a second year MFA candidate at the School of Art\, Carnegie Mellon University. Tsohil received a professional diploma in performance studies in India and their current practice extends itself across mediums of photography\, video\, installation and drawing. Their work is informed by domestic activity\, quotidian objects as anthropological evidence and personal memory archives. They’re currently pursuing their thesis in nothing through a study in minimalist practice\, reproductive labor and ‘meaningless’ work. \nReception: November 2\, 7-10pm\nOpen Hours: November 3 and 4\, 7-10pm\nBy Appointment: November 5-7
URL:https://art.cmu.edu/event/tsohil-bhatia-keeping-time/
LOCATION:Powder Room\, 201 N Braddock Ave\, #209\, Pittsburgh\, 15208\, United States
CATEGORIES:Event MFA,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/10/tsohil_bhatia_keeping_time_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181109T180000
DTEND;TZID=America/New_York:20181111T180000
DTSTAMP:20260712T043238
CREATED:20181105T163031Z
LAST-MODIFIED:20181105T163031Z
UID:4455-1541786400-1541959200@art.cmu.edu
SUMMARY:Liza Goncharova: Primordial Thread
DESCRIPTION:Liza Goncharova’s (BHA ’20) work is nestled in the intersection of ecology\, spirituality\, and language. As remnants of a process-oriented practice\, her drawings and paintings layer biomorphic form and sacred text to create pulsating surfaces. Goncharova’s work is a meditation on that thread which weaves itself through the ceaseless transmutation of the phenomenal world on both a microscopic and macroscopic level.
URL:https://art.cmu.edu/event/liza-goncharova-primordial-thread/
LOCATION:The FRAME Gallery\, 5200 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/11/liza_goncharova_web.jpg
ORGANIZER;CN="The FRAME Gallery":MAILTO:theframegallery@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181116T180000
DTEND;TZID=America/New_York:20181118T180000
DTSTAMP:20260712T043238
CREATED:20181112T181311Z
LAST-MODIFIED:20181112T181311Z
UID:4477-1542391200-1542564000@art.cmu.edu
SUMMARY:Becky Groves: Clean Air Started Here
DESCRIPTION:Becky Groves makes drawings and paintings of steep hills\, buildings under bridges\, outdoor staircases\, the end of a road—things that abruptly break up the topography of where we live. Disruptions in the landscape can be suggestive of memory\, the passage of time\, and ways of life. In these unstable landscapes\, figures interact with the landscape but also reinvent it as one often does in dreams. Specifically\, a lot of Groves’ work focuses on American small towns and the tension between architecture and the landscape\, between the community and big cities\, and between industry and the environment. \nOpening November 16\, 6-9pm
URL:https://art.cmu.edu/event/becky-groves-clean-air-started-here/
LOCATION:The FRAME Gallery\, 5200 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Exhibitions,SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/11/becky_groves_web.jpg
ORGANIZER;CN="The FRAME Gallery":MAILTO:theframegallery@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181129T163000
DTEND;TZID=America/New_York:20181204T170000
DTSTAMP:20260712T043238
CREATED:20181119T155215Z
LAST-MODIFIED:20181119T155215Z
UID:4502-1543509000-1543942800@art.cmu.edu
SUMMARY:Concept Studio: The Self and the Human Being
DESCRIPTION:Students from all three sections of Concept Studio: The Self and the Human Being will present works made throughout the semester in the 3rd floor of CFA. Each class will take over the Ellis Gallery\, North Foyer and South Foyer with projects from prompts spanning topics including but not limited to the body and broader systems\, identity\, utopias\, power and value\, narrative\, mythology\, digitally mediated life\, cyborg bodies and prosthesis\, archives and alternative histories\, voyeurism\, speculative futurism\, performance\, community\, and participation. Concept Studio: The Self and the Human Being is a first-year course which encourages students to explore experimental studio making practices that span a wide-range of media through theory-driven project prompts. This semester Concept Studio: The Self and the Human Being is taught by Professors Kim Beck\, Angela Washko\, and Alisha B. Wormsley. \nOpening reception: Thursday November 29th\, 4:30-6:30pm\nNorth Foyer\, South Foyer\, Ellis Gallery
URL:https://art.cmu.edu/event/concept-studio-the-self-and-the-human-being/
LOCATION:CFA Third Floor\, 5000 Forbes Avenue\, Carnegie Mellon University\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Exhibitions,SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/11/concept_studio_exhibition.jpg
ORGANIZER;CN="School of Art":MAILTO:SchoolofArt@cmu.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181130T180000
DTEND;TZID=America/New_York:20181202T180000
DTSTAMP:20260712T043238
CREATED:20181120T151000Z
LAST-MODIFIED:20181120T151000Z
UID:4526-1543600800-1543773600@art.cmu.edu
SUMMARY:Collective Skin
DESCRIPTION:Opening & Performances 6:00-9:00pm\nWorks on view November 30 – December 2 \nCarnegie Mellon University Advanced Sculpture students will take over the Frame Gallery on Friday\, November 30 with objects and durational performances. Despite the admonition to “just be yourself\,” identity is no simple matter. We cannot really understand ourselves outside of the realm of the social and we all choose our role\, behavior\, and appearance according to context. Far from being pure expressions of our innate beings\, our identities are the result of a complex and never-ending process by which our personalities negotiate day-to-day circumstances and larger historical\, cultural\, and social forces. In this show\, the artists explore contemporary practices that ask poignant questions about the self as a place where nature and culture meet and where the political becomes personal. \nThis class and show are under the guidance of Professor Heidi Wiren Bartlett. \nArtists\nOlivia Yi\nMiranda Miller\nJudy Li\nDarya Kharabi\nPat Miller Gamble\nLiza Goncharova\nToby Donoghue\nAdrienne Cassel
URL:https://art.cmu.edu/event/collective-skin/
LOCATION:The FRAME Gallery\, 5200 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Exhibitions,SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/11/collective_skin_web.jpg
ORGANIZER;CN="The FRAME Gallery":MAILTO:theframegallery@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181130T190000
DTEND;TZID=America/New_York:20181130T220000
DTSTAMP:20260712T043238
CREATED:20181127T142707Z
LAST-MODIFIED:20181127T142707Z
UID:4544-1543604400-1543615200@art.cmu.edu
SUMMARY:Soma
DESCRIPTION:How does the digital experience alter the way bodies activate physical spaces and spaces activate bodies? “Soma” explores the reciprocal nature of bodies in space using digital projections\, interaction\, and playful installation. \nDigital experience is often mediated through compression and flatness. Hardware such as GPS and virtual reality allow the digital to be mapped over physical space however these technologies are interlocked with flat interfaces\, hardware and symbolic intangible objects. “Soma” makes the digital tangible by projecting through multiple surfaces thus expanding the flatness and inviting viewers to explore and play between the layers. \nThis exhibition is a collaborative effort between Anna Henson MS ’18\, Char Stiles BSA ’18\, Emily deGrandprè BA ’19\, Michael Neumann MFA ’20\, and Sudanshu Shekhar MISM ’19. \n“Soma” is open at the Powder Room on November 30th\, from 7pm-10pm for one night only.
URL:https://art.cmu.edu/event/soma/
LOCATION:Powder Room\, 201 N Braddock Ave\, #209\, Pittsburgh\, 15208\, United States
CATEGORIES:Event MFA,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/11/soma.jpg
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