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X-WR-CALDESC:Events for School of Art | Carnegie Mellon University
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DTSTART:20180311T070000
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DTSTART;TZID=America/New_York:20181102T190000
DTEND;TZID=America/New_York:20181107T190000
DTSTAMP:20260522T214134
CREATED:20181029T203256Z
LAST-MODIFIED:20181029T203256Z
UID:4406-1541185200-1541617200@art.cmu.edu
SUMMARY:Tsohil Bhatia: Keeping Time
DESCRIPTION:‘Without some means of exact time keeping\, industrial capitalism could never have developed and could not continue to exploit the workers\, the clock represents an element of mechanical tyranny in the lives of modern men more potent than any individual exploiter or any other machine.’\n-George Woodcock\, The Tyranny of The Clock (1944) \n“Keeping Time” presents video and installation by Tsohil Bhatia that look at alternate methodologies and devices to imagine\, observe and document time. The work studies the body\, memory and a domestic setting as a time keeper and engages in a confrontation with a clock and standardized time. The exhibition opens two days before the observation of autumnal daylight saving time\, a particularly peculiar phenomena in our measurement of time. \nTsohil Bhatia was born and raised in New Delhi\, India. They’re a second year MFA candidate at the School of Art\, Carnegie Mellon University. Tsohil received a professional diploma in performance studies in India and their current practice extends itself across mediums of photography\, video\, installation and drawing. Their work is informed by domestic activity\, quotidian objects as anthropological evidence and personal memory archives. They’re currently pursuing their thesis in nothing through a study in minimalist practice\, reproductive labor and ‘meaningless’ work. \nReception: November 2\, 7-10pm\nOpen Hours: November 3 and 4\, 7-10pm\nBy Appointment: November 5-7
URL:https://art.cmu.edu/event/tsohil-bhatia-keeping-time/
LOCATION:Powder Room\, 201 N Braddock Ave\, #209\, Pittsburgh\, 15208\, United States
CATEGORIES:Event MFA,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/10/tsohil_bhatia_keeping_time_web.jpg
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DTSTART;TZID=America/New_York:20181130T190000
DTEND;TZID=America/New_York:20181130T220000
DTSTAMP:20260522T214134
CREATED:20181127T142707Z
LAST-MODIFIED:20181127T142707Z
UID:4544-1543604400-1543615200@art.cmu.edu
SUMMARY:Soma
DESCRIPTION:How does the digital experience alter the way bodies activate physical spaces and spaces activate bodies? “Soma” explores the reciprocal nature of bodies in space using digital projections\, interaction\, and playful installation. \nDigital experience is often mediated through compression and flatness. Hardware such as GPS and virtual reality allow the digital to be mapped over physical space however these technologies are interlocked with flat interfaces\, hardware and symbolic intangible objects. “Soma” makes the digital tangible by projecting through multiple surfaces thus expanding the flatness and inviting viewers to explore and play between the layers. \nThis exhibition is a collaborative effort between Anna Henson MS ’18\, Char Stiles BSA ’18\, Emily deGrandprè BA ’19\, Michael Neumann MFA ’20\, and Sudanshu Shekhar MISM ’19. \n“Soma” is open at the Powder Room on November 30th\, from 7pm-10pm for one night only.
URL:https://art.cmu.edu/event/soma/
LOCATION:Powder Room\, 201 N Braddock Ave\, #209\, Pittsburgh\, 15208\, United States
CATEGORIES:Event MFA,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2018/11/soma.jpg
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