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X-WR-CALNAME:School of Art | Carnegie Mellon University
X-ORIGINAL-URL:https://art.cmu.edu
X-WR-CALDESC:Events for School of Art | Carnegie Mellon University
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TZOFFSETFROM:-0500
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DTSTART:20190310T070000
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DTSTART;TZID=America/New_York:20191004T190000
DTEND;TZID=America/New_York:20191025T220000
DTSTAMP:20260522T012330
CREATED:20190930T181051Z
LAST-MODIFIED:20190930T182136Z
UID:5858-1570215600-1572040800@art.cmu.edu
SUMMARY:Ropa Dope
DESCRIPTION:A project by Steven Montinar BFA ’21 and Karla Arrucha\, “Ropa Dope” presents wearable works that revolve around black and hispanic culture through the lens of fashion. The pieces are constructed out of objects of black and hispanic oppression\, hardship\, and constraint and made into items of style and paralleled positive usefulness. \n“Ropa Dope” plays off of the boxing term “rope-a-dope”; a word meaning to be trapped against a boxing ring’s ropes and dodging ineffective punches thrown by the opposer. Montinar and Arrucha “dodge the blows” of items within the two communities associated with oppressive events\, institutionalization\, and last resort solutions by creating alternative uses for them. These alternatives twist the negative into a positive ownership of obstructive histories. The play on words come from the Spanish word for “clothes” (ropa) and a word stemming from black society driven hip hop culture detonating “cool” (dope [informal]).
URL:https://art.cmu.edu/event/ropa-dope/
LOCATION:Late Space\, 5013 Penn Ave\, Pittsburgh\, PA\, 15224\, United States
CATEGORIES:Exhibitions,Non-SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2019/09/ropa_dope.jpg
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DTSTART;TZID=America/New_York:20191017T170000
DTEND;TZID=America/New_York:20191017T190000
DTSTAMP:20260522T012330
CREATED:20191014T150253Z
LAST-MODIFIED:20191014T150253Z
UID:5942-1571331600-1571338800@art.cmu.edu
SUMMARY:STUDIO Lecture: Morehshin Allahyari
DESCRIPTION:Morehshin Allahyari is an artist\, activist\, writer\, and educator. She was born and raised in Iran and moved to the United States in 2007. Her work deals with the political\, social\, and cultural contradictions we face every day. She thinks about technology as a philosophical toolset to reflect on objects and as a poetic means to document our personal and collective lives and struggles in the 21st century. Morehshin is the co-author of The 3D Additivist Cookbook in collaboration with writer/artist Daniel Rourke. \nMorehshin has been part of numerous exhibitions\, festivals\, and workshops around the world including Venice Biennale di Archittectura\, New Museum\, The Whitney Museum of American Art\, Pompidou Center\, Museum of Contemporary Art in Montreal\, Tate Modern\, Queens Museum\, Pori Museum\, Powerhouse Museum\, Dallas Museum of Art\, and Museum für Angewandte Kunst. She is the recipient of the leading global thinkers of 2016 award by Foreign Policy magazine. Recently she has been awarded major commissions by Rhizome\, New Museum\, Whitney Museum of American Art\, Liverpool Biennale\, and FACT.
URL:https://art.cmu.edu/event/studio-lecture-morehshin-allahyari/
LOCATION:Frank-Ratchye STUDIO for Creative Inquiry\, CFA 111\, 5000 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Lectures,Non-SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2019/10/morehshin_allahyari.jpg
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