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X-WR-CALDESC:Events for School of Art | Carnegie Mellon University
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DTSTART;TZID=America/New_York:20190202T140000
DTEND;TZID=America/New_York:20190205T170000
DTSTAMP:20260616T180714
CREATED:20190127T200554Z
LAST-MODIFIED:20190127T200554Z
UID:4756-1549116000-1549386000@art.cmu.edu
SUMMARY:Yejin Lee: I To Ground\, I To Sky
DESCRIPTION:Art and Culture treat death as a fearful subject\, separating death from people’s lives. Death has been captured in rigid monuments like graves and other constructions that suggest permanence. Instead of denying the transience of life\, MFA Candidate Yejin Lee asks people to accept death with less rigidity and invite it into our living space. \nIn “I To Ground\, I To Sky” she builds naturalistic and minimalistic playgrounds: non-monumental\, impermanent grave for dead leaves and a pond that ‘reflects’ the sky through a cycle of days\, nights\, and seasons. Influenced by Buddhism and Korean traditional architecture\, Lee seeks Oneness between life and death\, understanding death as a change in condition instead of rigid separation from life. \nThe objectives for this show is for people to liberate themselves from the agony of loss that comes with seeing death as a far-off\, bordered space. She hopes people feel peaceful and even joyful even when confronting loss and death. \nExhibition Opening: Saturday\, Feb 2st\, 2-6pm\nPublic Hours: Sun + Tue\, Feb 3rd + 5th\, 2-6pm
URL:https://art.cmu.edu/event/yejin-lee-i-to-ground-i-to-sky/
LOCATION:Powder Room\, 201 N Braddock Ave\, #209\, Pittsburgh\, 15208\, United States
CATEGORIES:Event MFA,Exhibitions
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2019/01/i_to_ground_web.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190204T163000
DTEND;TZID=America/New_York:20190204T180000
DTSTAMP:20260616T180714
CREATED:20190127T202632Z
LAST-MODIFIED:20190127T202648Z
UID:4761-1549297800-1549303200@art.cmu.edu
SUMMARY:In the Tradition of Black Radical Gestures
DESCRIPTION:Center for Arts in Society Speaker’s Series Presents: LaMont Hamilton and Andre Zachery \nFrom iconic events such as the Black Power salute during the 1968 Olympic Games in Mexico City to the contemporary of kneeling during the National anthem\, Black Radical Gesture as protest has sent cultural and political shockwaves on a national and global scale. But not all Black Radical Gestures hold such social weight. Some more rhizomatic\, intimate while being equally important as a sign of unity. The dap is one such gesture. An acronym for “dignity and pride” it manifested as a close quarter expression of togetherness\, solidarity among African American soldiers during the Vietnam War. The significance was amplified under the immensely socially and racially turbulent environment of 1960’s. Other names for the handshake such as “power shake” or “giving power” hints at the coded gravity of the gesture. \nHamilton and Zachery will highlight the research involved in the making of Dapline! while examining the role of Black gestural practices\, both historically and contemporary\, as a mode of resistance in the face of systemic oppression. Their dance piece Dapline! will be performed at the August Wilson Center February 1\, which explores this history and more through poetic dance. \nLaMont Hamilton (b. 1982) is an interdisciplinary artist based in Chicago who works primarily in photography\, film and performance. Hamilton has been the recipient of several fellowships and awards including the MacDowell Colony\, Smithsonian Artist Research Fellowship\, Artadia Award\, ArtMatters Grant and the City of Chicago’s IAP Award. His residencies include Visiting Artist in Residence at Duke University in conjunction with African and African American Studies and SLIPPAGE: Performance|Culture|Technology and Bemis Center for Contemporary Art. \nAndre Zachery (b.1981) is Brooklyn-based interdisciplinary artist who creates performances\, interactive media installations\, film\, and sound art. He earned a BFA from the Ailey/Fordham program in 2005\, and MFA in Performance & Interactive Media Arts (PIMA) from Brooklyn College in 2014. He is a recipient of the Caroline H. Newhouse Scholarship Fund and Sono Osato Scholarship Award for Graduate Studies through Career Transitions for Dancers\, and PIMA Outstanding Student Award in 2013. Zachary is currently a Jerome Foundation supported 2015 Movement Research Artist-in-Residence.
URL:https://art.cmu.edu/event/in-the-tradition-of-black-radical-gestures/
LOCATION:Gregg Hall (Porter 100)\, 5000 Forbes Avenue\, Pittsbugh\, PA\, 15213\, United States
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2019/01/black-radical-gestures_web.jpg
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DTSTART;TZID=America/New_York:20190204T183000
DTEND;TZID=America/New_York:20190204T200000
DTSTAMP:20260616T180714
CREATED:20190127T203053Z
LAST-MODIFIED:20190127T203053Z
UID:4765-1549305000-1549310400@art.cmu.edu
SUMMARY:STUDIO Lecture: Stephanie Dinkins
DESCRIPTION:Stephanie Dinkins is a transdisciplinary artist who creates platforms for dialog about artificial intelligence as it intersects race\, gender\, and our future histories. Her art employs lens-based practices\, the manipulation of space\, and technology to grapple with notions of consciousness\, agency\, perception\, and social equity. Dinkins is a 2018/19 Soros Equality Fellow\, 2018/19 Data and Society Research Institute Fellow\, 2018 Sundance New Frontiers Story Lab Fellow and 2018/2019 Artist in Residence at Nokia Bell Labs. She teaches time-based practices and emerging media at Stony Brook University. \nCo-Presented with the Miller Institute for Contemporary Art.
URL:https://art.cmu.edu/event/studio-lecture-stephanie-dinkins/
LOCATION:Frank-Ratchye STUDIO for Creative Inquiry\, CFA 111\, 5000 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Lectures,Non-SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2019/01/stephanie_dinkins_web.jpg
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