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X-WR-CALDESC:Events for School of Art | Carnegie Mellon University
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DTSTART;TZID=America/New_York:20170923T120000
DTEND;TZID=America/New_York:20171112T180000
DTSTAMP:20260518T161334
CREATED:20170928T144309Z
LAST-MODIFIED:20171012T141225Z
UID:1606-1506168000-1510509600@art.cmu.edu
SUMMARY:Worlds Within
DESCRIPTION:Co-curated by School of Art Professor John Carson and Lugene Bruno\, Worlds Within is on view at the Miller Gallery from September 23 to November 12 and at the Hunt Botanical Institute from September 22 to December 15. \nWorlds Within is a unique collaboration between the Hunt Institute and The Miller Gallery. The two venues\, at either end of the Carnegie Mellon University campus\, will be exhibiting work by British artist Rob Kesseler\, alongside 19th-century botanical wall charts from Carl Ignaz Leopold Kny’s series Botanische Wandtafeln. Complementing the forms represented in these charts and photographs will be a selection of models of marine organisms made of glass in the 19th-century by Leopold and Rudolf Blaschka and made of glacite in the early 20th-century by Edwin H. Reiber. The glass models have been kindly loaned by the Carnegie Museum of Natural History. \nThe work in the Hunt Institute offers a more comprehensive comparison between the micrographs and the historical charts and models\, while the Miller Gallery exhibition features a fuller range of Kesseler’s recent art work. Both sections of this joint exhibition celebrate the extraordinary aesthetic interrelationships between historically different methods of visually interpreting the wonders of botanical phenomena\, which are not readily visible to the naked eye. \nMore information
URL:https://art.cmu.edu/event/worlds-within/
LOCATION:Miller ICA\, Purnell Center for the Arts\, 5000 Forbes Avenue\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Exhibitions,SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2017/09/worlds_within_web.jpg
ORGANIZER;CN="Miller ICA":MAILTO:miller-ica@andrew.cmu.edu
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20170923T120000
DTEND;TZID=America/New_York:20171112T180000
DTSTAMP:20260518T161334
CREATED:20170928T150236Z
LAST-MODIFIED:20171012T141239Z
UID:1615-1506168000-1510509600@art.cmu.edu
SUMMARY:Hadi Tabatabai: Transitional Spaces
DESCRIPTION:Co-presented by wats:ON? Festival\, Transitional Spaces is on view September 23 to November 12. \nThrough an elegant combination of drawing\, painting and sculpture\, Hadi Tabatabai’s work describes a place that is as much an idea as a physical location. These compositions embody liminality: that is\, they create a constant experience of sensations that exist at the limen\, or edge\, of perception. To bring about this state\, Tabatabai has removed all possible distractions. Narrative and figuration\, even figure and ground\, have been excised from these delicate combinations of squares\, rectangles and floating lines. \nTabatabai uses the physical nature of the materials to create subtle shifts within the surface plane.  The lines are delineated by slightly raised or lowered edges of materials to create works that straddle the realm of the pictorial and the sculptural.  Through the use of light and shadow\, depth of field\, and other optical obfuscations\, the positive and negative space in the paintings becomes indeterminate.  His work evokes the relationship between what is imagined on the surface and what is actually rendered—in a sense questioning what is being “looked at” or “seen.” \nFor the past twenty years Tabatabai has devoted his attention to a very tiny area—an area that comprises the physicality of a line and functions as the transitional space between two entities. He views the ‘line’ as empty space without an agenda or allegiance; it is neither here nor there. Tabatabai believes that by paying attention to this tiny\, subtle\, yet detailed space\, one is forced to turn away from the outside world and focus inward on one’s own interior space. \nMore information
URL:https://art.cmu.edu/event/hadi-tabatabai-transitional-spaces/
LOCATION:Miller ICA\, Purnell Center for the Arts\, 5000 Forbes Avenue\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Exhibitions,SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2017/09/hadi_tabatabai_web.jpg
ORGANIZER;CN="Miller ICA":MAILTO:miller-ica@andrew.cmu.edu
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171013T180000
DTEND;TZID=America/New_York:20171029T170000
DTSTAMP:20260518T161334
CREATED:20171006T190535Z
LAST-MODIFIED:20171012T141651Z
UID:1942-1507917600-1509296400@art.cmu.edu
SUMMARY:Lucy Denegre: Ephemeral Infrastructures
DESCRIPTION:The Frame Gallery presents a solo exhibition of photographs and prints by undergrad senior Lucy Denegre. \nArtist Statement\nHow do you build a wall thats not a wall? How can an image become an object\, an object an image? Ephemeral Infrastructures explores decontextualized spaces and image making as text and presence. Many of the images were made during my time abroad while I was thinking about barriers\, permeability\, and the layers of traces and remnants that people leave behind that point towards an absence and a passage of time.
URL:https://art.cmu.edu/event/lucy-denegre-ephemeral-infrastructures/
LOCATION:The FRAME Gallery\, 5200 Forbes Ave\, Pittsburgh\, PA\, 15213\, United States
CATEGORIES:Exhibitions,SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2017/10/lucy_denegre_web.jpg
ORGANIZER;CN="The FRAME Gallery":MAILTO:theframegallery@gmail.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171020T190000
DTEND;TZID=America/New_York:20171022T180000
DTSTAMP:20260518T161334
CREATED:20171016T142408Z
LAST-MODIFIED:20171016T142513Z
UID:2202-1508526000-1508695200@art.cmu.edu
SUMMARY:Composition for the unrealized Governor’s Palace
DESCRIPTION:Composition for the unrealized Governor’s Palace is a multi-channel audio work by MFA Candidate Shobun Baile that is divided between loudspeakers\, headphones\, and the movement of the listener. Guests are invited to put on headphones and follow an aural path through the simulated acoustic space of a planned but unbuilt modernist palace. \nAfter the partition of Pakistan and India\, Indian Prime Minister Jawarhalal Nehru invited famed French architect Le Corbusier to help design the buildings and the urban plan for the new capital city of the state of Punjab. The Governor’s Palace was the only building that was rejected by Nehru\, its planned location and form were deemed “undemocratic.” But for Le Corbusier\, the palace design was already a compromise\, a melding of his beloved rectilinear form with the curves found in the symbol for the divine word\, Om. \nIn place of the Governor’s Palace\, Le Corbusier designed the Open Hand Monument\, a towering sculpture of a hand that rotates with the wind. He described this hand as “open to receive the wealth that the world has created\, to distribute to the peoples of the world…it ought to be the symbol of our age.” \nOpening Reception: Friday\, October 20\, 7-10pm\nGallery Hours: Saturday and Sunday October 21-22\, 3-6pm and by appointment
URL:https://art.cmu.edu/event/shobun-baile-composition-for-the-unrealized-governors-palace/
LOCATION:Powder Room\, 201 N Braddock Ave\, #209\, Pittsburgh\, 15208\, United States
CATEGORIES:Exhibitions,SOA
ATTACH;FMTTYPE=image/jpeg:https://art.cmu.edu/wp-content/uploads/2017/10/shobun_baile_web.jpg
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